bocs scales

i've noticed (with synths) that boc seems to get 'their' sound from loads of detailed detuning, i suspect fine tuning and semitones are wholy important not only to the melody but also the 'sound dynamics'.

such as slow this bird down, i suspect that 7 is a number that is played around with alot, as in oscillators have mathimatical differences and that 7 may be used to detune an osc or more to create this tracks 'hollow' sound.

Not positive what you're getting at, but i noticed major detuning in Bocuma. I tried figuring it out on a piano that i couldn't tune, but there was no way of playing it.

Whats up, fanboys?

7 motha fucka 7!

i\m basically saying, boc detune their musical elements to create 'their' sound, like the hollowness in slow this bird down, and i suspect using 7 as in semitone detuning, creates a hollow sound.

  môak said:

7 motha fucka 7!

Not 8 then?

So it doesn't go to 11, then?

wow, for fucks sake, if it were 11 or 8 i would have said so, but whenever i experiment with using 7 as a factor there always seems to be boc similarities in sounds than any other number

  môak said:

wow, for fucks sake, if it were 11 or 8 i would have said so, but whenever i experiment with using 7 as a factor there always seems to be boc similarities in sounds than any other number

i think you need to try making it go to 11 more cause it's one louder, innit.

get off the crack bitch

semitone detuning doesnt bring any more "hollow" sound, it detunes the tone by 7 semitones, aka a fifth

  Derelic7 said:

get off the crack bitch

 

semitone detuning doesnt bring any more "hollow" sound, it detunes the tone by 7 semitones, aka a fifth

eh??????

semitone detuning detunes by a semitone.

fifth detuning detunes by a fifth.

  loganfive said:

  Derelic7 said:

get off the crack bitch

 

semitone detuning doesnt bring any more "hollow" sound, it detunes the tone by 7 semitones, aka a fifth

 

 

eh??????

 

semitone detuning detunes by a semitone.

 

fifth detuning detunes by a fifth.

7 semitones = a fifth

well, detuning down by seven semitones would make a fourth. detuning up by that amount would make a fifth.

yeah i fuckin know 7 semitones is a fifth,

but "semitone detuning" doesn't by default mean detuning by 7 semitones.

gg on the fucking pointless nitpicking

yeh ok, whatever.

i'm very very sorry.

i dunno you guys. i think it's interesting.

any more examples, moak?

7 is a great number

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cool stuff guys

i dont quite know how the tuning on my keyboard works but bocuma is normal +14 and um audiotrack 11, at the end of triangles and rhombuses or whatever is -14. how.. fun and meaningful.

melissa juice was -23 or something entirely useless though.

  Odd NotsraM said:

Whats up, fanboys?

hi, idmman.

today we are failing to grasp the concept of microtonal music.

how are you?