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Brian Ellis - Free Way

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Brian Ellis

"Free Way"

Benbecula Records, 2007

(BEN523)

CD Album

 

Release date: 21 May 2007

 

Track Listing

 

01 A Wiggles Worth

02 Deep and Out

03 Smeared Smiled

04 The New Free Way

05 Escondido

06 Sewer Bugler

07 Abmilak

 

Brian Ellis releases his first album proper for Benbecula in anticipation of his full scale release "The Silver Creature". "Free Way" explores the more experimental facet of Brian's style with illustrious jazz workouts that harp back to the days of such freedom of expression during the early 70s, although still maintaining a very modern edge through the use of contemporary composition and instruments.

 

Excellent artwork and packaging on this one off Minerals Release make this a must have.

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more magic diversions of music in the key of space. the free way is the only way.

 

amazing beautiful music inspired by light and rhythm. it is psychedelic intonement and atonement and through soundwaves and other unearthly energies.

 

spirit, heart, high, holy, embracing, everlasting, forever, infiniti, freedom in the disguise of sound.

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Guest brianellis

one of my good friend's albert herrera did the cover art. he also did the cover illustration for my silver creature album. this packaging is going to rule!

 

also, the song escondido features a drum solo by luke hazard and hand percussion by perry pipinos and russ cobbe!

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Guest brianellis

Brian Ellis - Free Way

[benbecula]

 

Published Wednesday, 6th June, 2007 at 2:40 PM

Release date: 21st May 2007

Written by Michael Henaghan

 

 

Part of Benbecula Records innovative monthly Minerals Series, "Free Way" acts as a pre-cursor to Brian Ellis' first album proper, "The Silver Creature" (due out on August 6th).

 

This effort, however, focuses on the more experimental aspects of Ellis' electonica-fused jazz sound. From Soft Machine to Supersilent, Sun Ra to Squarepusher, the San Diego-based musician has channeled the energies of jazz musicians old and new, to provide this startling seven track album.

 

Where as certain albums in this field tend to veer into self-indulgent territories or, in the case of The Cinematic Orchestra, choose a bland and pedestrian route, "Free Way" oozes pioneering qualities from start to finish. Ellis proves himself to be one daring musician, here.

 

"Escondido" builds from reverbed tribal drum patterns and, what can only be described as, out of tune banjo sounds into a juggernauting groove that literally rattles the floorboards. Drums are pounded relentlessly as manic saxophone screams to be heard over them. It may seem totally anarchic to the casual listener, but jazz-heads will appreciate the intense nature of the rhythms and the pulsing textures.

 

Ellis meanwhile, imposes some space-age sounds over a tightly-woven beat and throbbing bassline, on the futuristic-sounding "Sewer Bugler", before some uncompromising guitar work takes over and sends it spiralling off in all sorts of weird and wonderful tangents.

 

But perhaps, the stand-out track is the sprawling "The New Free Way", 12 minutes worth of acid-soaked guitar, rich bass and complex time signatures. Ellis adeptly mixes each element into one hypnotic and satisfying groove.

 

As a multi-instrumentalist (Ellis can play over 14 instruments, including the obscure Kalimba) "Free Way", at times, sounds as if it was performed by full-blown jazz ensemble, rather than one man. But with exquisite attention to detail and complex time signatures executed expertly, this record blows away most of its competition.

 

A formidable release, music can't get any cooler than this.

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