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i know i'm quite new to this forum but i haven't seen any of you talking about what geat the man uses. call yourself a fansite and your not talking about equipment, pah! well, i'm sure we've all read that he's used an akai s6000, and obviously stingray and rickenbacker basses, and stuff like the kenton control freak, but whats this about reaktor eh? and what outboard synths has he used. come on people. discuss this with me. NOW. :jedi:

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  trust me i said:
i know i'm quite new to this forum but i haven't seen any of you talking about what geat the man uses. call yourself a fansite and your not talking about equipment, pah! well, i'm sure we've all read that he's used an akai s6000, and obviously stingray and rickenbacker basses, and stuff like the kenton control freak, but whats this about reaktor eh? and what outboard synths has he used. come on people. discuss this with me. NOW. :jedi:

 

 

youmustreadtherules.

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ok, i read the rules. so what am i doing that might warrant a request to read them initially. is it my tone or something. i was just trying to start a conversation like you do on a forum. if i appeared a little firery then i appologies.

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yeah, the wickipedia said he used an eventide orville for around the time of go plastic. i genuinely didnt know he used an korg ms20. very interesting. as for reaktor, i'm guessing he uses it for the kind of time streching and granular synth stuff he does to his songs live, like on the alive in japan cd.

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someone posted a video on here last year (perhaps) of an interview in his studio during 1996-97ish, but I dont remember that much of what he had, I remember he called his SH-101 a 'standard rave mainstay' keyboard. Hes also got/had a Boss DR-660 according to wiki. I think he probably gets pissed off at fanboys like ourselves deconstructing his equipment.

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true, but at then end of the day, i'm sure deep down we'd all love it if we were famous and there was people on t'web talking about what gear we use, i know i would, and i'd probably be there correcting them when they were wrong, but yeah, its a geeky topic of chat. still, in the cover of feed me weird... there mos def an sh101 there. i wonder if he still uses all this stuff. one of the things that i alway liked was how he kept getting everything out of his gear rather than moving with the times and constantly upgrading to newer euipment, but that all changed when go plastci came out and i read that he was going more digital and doing more dsp stuff. fair do's.

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I re-uploaded the squarepusher interview videos, maybe this is something for Joyrex's ftp?

 

Squarepusher_-_Interview_Part1.wmv

 

Squarepusher_-_Interview_Part2.wmv

Edited by Parsifal
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cool videos. nice one. always thought he recorded early stuff on reel to reel. i suppose real digital audio workstations werent really arounde in the mid 90's so i geuss there was no other means. well old skool.

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Guest masterdome

I read a small but concise article/interview with Tom in Bass Player magazine where he spoke of the Eventide gear and how it specifically helped him create very deliberate timing effects, from stretching to compressing, pitch variations, filtering, exact reverbs, gate effects, amongst other things, all mapable/controlable thru midi... i.e. even his bass could control it! SICK!

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Guest TheEarlOfEastchurch

there was another little clip/film of his more current studio

think it was on aussy tv

 

i think theres only one 303 in that clip and a 606

 

i like how pissed off he gets about not getting a soundcheck

 

i want one of those rephlex hoodies

 

thanks for sharing that.

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  • 1 month later...
Guest crystal
  TheEarlOfEastchurch said:
there was another little clip/film of his more current studio

think it was on aussy tv

 

i think theres only one 303 in that clip and a 606

 

i like how pissed off he gets about not getting a soundcheck

 

i want one of those rephlex hoodies

 

thanks for sharing that.

 

mate what does that kanji on the left say? i know the right ones are ongaku... subarashiiiii

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