Chris Moss Acid - Volume-1

http://www.youtube.com/watch?v=pu3dl_oygR8

http://chrismossacid.bandcamp.com/album/volume-1

nice! ;-) thanks!

sounds great. love the artwork too

are you deaf chris? this shit is loud as fuck man. like Suuuuuuuuuuuuper Loud

Clips clip.

(tracks sound good though)

i think they call it "banging"

lets slam!

  On 6/27/2011 at 5:56 PM, Producer Snafu said:

are you deaf chris? this shit is loud as fuck man. like Suuuuuuuuuuuuper Loud

i dunno is that good? strangely enough ive only played one track (pinch) over a loud club system in russia, and it sounded alright. all the rest just on headphones. so i guess i dont know how loud these actually are..

here is vol.2

fuking loud as shit

stop mixing on god damn ear buds

some of you bedroom producers need to fuking research LEDE and RFZ for someone's sake.

No idea what a LEDE is but I don't think buying expensive sound reflection traps would be required to see when something's been mastered waaay too loudly or not, just looking at the waveform should be representative enough

Excellent.

dont worry im saving up to buy a compressor the price of a small car.

They have to around the dimensions of an Audi Quattro or you nulls wont get nullified well enough ...

null

The tracks are good, but ouch, my poor ears :(

  On 6/29/2011 at 5:36 PM, mcbpete said:

No idea what a LEDE is but I don't think buying expensive sound reflection traps would be required to see when something's been mastered waaay too loudly or not, just looking at the waveform should be representative enough

it's ok if you do'nt know what lede or rfz room models are --- you're only about 20years behind. (live end/dead end; reflection-free-zone (evolution from LEDE).

in small acoustical spaces (what the bulk of us here have; whether for listening rooms or for recording or for mixing) - you can and will have +/- 30dB deltas on LF freq response. fact.

you will also have detrimental modal ringing (LF decay times).

and please go on about what you mean by 'expensive sound reflection traps'? it's basic rigid fiberglass insulation like you find at your local hardware store - or you can find some old office tossing out cubicle walls and you'll find it there. it's simply porous absorption that converts energy into heat (at area's of high particle velocity - 1/4wavelength of a particular frequency where particle velocity is at a maximum)

oh, and if you did your research, you would know that we use geometry (splayed walls) to redirect otherwise areas of early-incidence from first-order reflections away from the listening position and towards the back wall, where the precious finite sonic energy can be diffused and returned to the lsitening position, terminating the ISD-gap with a dense, laterally arriving diffused sound-field. you do not have to 'absorb' with 'expensive sound reflection traps'. sigh,

oh, and you're only about 5+ decades behind haas and precedence effect. it's ok though - you know what you're talking about.

it's not just compression but the actual mixing in these small acoustical spaces. how can one expect their mixes to transfer well out of their room - when they will have +/- 30dB variations due to room modes, SBIR, LBIR, etc etc. it's imperative for accuracy of the mix to take these fundamental, and inherent issues in small acoustical spaces. no other gear upgrade will have anywherenear the same effect on sound quality and psycoacoustics than by treating the room and fixing 'measured' issues.

small acoustical spaces are very challenging and it is becoming quite obvious as the amount of 'bedroom producers' increases.

what's next,know it all? you're going to tell me 'reverb' exists in small acoustical spaces?

Fucking hell.....

  On 6/29/2011 at 10:46 PM, elusive4 said:

oh, and you're only about 5+ decades behind haas and precedence effect.

Yeah, sorry 'bout that - I'll try to catch up !

you do understand the inherent issues within small acoustical spaces, no?

you do understand that by delaying the first-order reflectinos in the time-domain, you are essentially tricking your brain into believing it is in a bigger room?

you do understand comb-filtering freq response issues of specular energy when specular reflections combine at the listening position constructively (peak) and destructively (null)?

you do understand that stereo imaging is hurt by off-axis sonic energy from the left speaker reflecting off the right wall and entering the right ear?

sigh,

you haven't a fucking clue, m8.

next you're going to tell me that the bulk of control/mixing rooms that adhere to LEDE/RFZ/ (and now, ambechoic, such as blackbird studio c (all first order reflections attenuated by -30dB!!!)are wrong and this is all hogwash, ya?

http://www.google.com/search?tbm=isch&hl=en&source=hp&biw=1680&bih=910&q=blackbird+studio+c&gbv=2&oq=blackbird+studio+c&aq=f&aqi=g1&aql=undefined&gs_sm=e&gs_upl=384l1653l0l18l10l0l4l4l0l155l734l1.5l6

nothing benefits more for quality, critical listening, and especially critical mixing than establishing the ISD-gap and then terminating it. the brain needs adequate time to digest the original signal from the speakers before reflections arrive.

and we haevn't even gotten to modal issues, yet.

so go on and just suck it up that you have nothing of substance to say here.

shame people still do not fully understand the significance of how detrimental their small acoustical space imposes on their sound.

another thing regarding recording. if the room of which the recording is taking place, the first-order reflections arrive X ms, when in the control room, if the control room reflections arrive before x, then you are hearing your room masking the recording (the room of which the recording took place). record some instrument in a lovely room with lush reverb and diffused returns? you want to hear the room in the recording, not YOUR room on reproduction.

I think the penny has started to drop in my brain: Have I got you all wrong, is this like the driest sense of humour ever committed to text. If so, fucking hats off man, you've had a lot of people fooled for a long while !

and we haevn't even gotten to modal issues, yet!

*prepares for modal issues*

MODAL ISSUES INCOMING

could someone explain to me what elusive is talking about?