"I’ve done other tracks for commercial things but no one has ever worked them out"

Anyone worked them out yet? Or was he lying?

We work them out, but like the US security state apparatus, he's got sock puppets and insiders everywhere constantly knocking down our spot on speculation.

St Ivel advert?

Just before the London Olympics began, there was a documentary on Channel 4 about the history of the Para Olympics. A track came on which sounded very, very, very much like unreleased Aphex. It was fucking awesome. I was going to mention it on watmm but in the end couldn't be arsed as it could of just been a figment of active imagination. It had the same vibe as Manchester/Metz which convinces me even more.

i think there's truth to it

http://repertoire.bmi.com/title.asp?blnWriter=True&blnPublisher=True&blnArtist=True&keyID=0&ShowNbr=13980000&ShowSeqNbr=12&querytype=WorkID

http://repertoire.bmi.com/title.asp?blnWriter=True&blnPublisher=True&blnArtist=True&keyID=0&ShowNbr=1000710000&ShowSeqNbr=40&querytype=WorkID

  On 6/9/2014 at 11:29 AM, rocky path said:

http://repertoire.bmi.com/title.asp?blnWriter=True&blnPublisher=True&blnArtist=True&keyID=0&ShowNbr=13980000&ShowSeqNbr=12&querytype=WorkID

 

http://repertoire.bmi.com/title.asp?blnWriter=True&blnPublisher=True&blnArtist=True&keyID=0&ShowNbr=1000710000&ShowSeqNbr=40&querytype=WorkID

Holy shit.

  On 6/9/2014 at 11:50 AM, peace 7 said:

 

  On 6/9/2014 at 11:29 AM, rocky path said:

http://repertoire.bmi.com/title.asp?blnWriter=True&blnPublisher=True&blnArtist=True&keyID=0&ShowNbr=13980000&ShowSeqNbr=12&querytype=WorkID

 

http://repertoire.bmi.com/title.asp?blnWriter=True&blnPublisher=True&blnArtist=True&keyID=0&ShowNbr=1000710000&ShowSeqNbr=40&querytype=WorkID

Holy shit.

 

Just waiting for Metz track to be slipped into an episode of Game of Thrones now.

  On 6/9/2014 at 11:29 AM, rocky path said:

http://repertoire.bmi.com/title.asp?blnWriter=True&blnPublisher=True&blnArtist=True&keyID=0&ShowNbr=13980000&ShowSeqNbr=12&querytype=WorkID

 

http://repertoire.bmi.com/title.asp?blnWriter=True&blnPublisher=True&blnArtist=True&keyID=0&ShowNbr=1000710000&ShowSeqNbr=40&querytype=WorkID

Which tracks did they use of his, again? And why aren't they registered with the original names/why are they re-registered for CSI?

Sent from my iPhone using Tapatalk

  Quote

 

Aphex Twin is also credited with background sounds for the TV show CSI: Miami. The episode Bunk (season 1 episode 13) has a scene in which the characters use an XRF spectrometer to analyse a suspect's shirt — but the electronic background noises are actually Spectrum loading noise, the same segment used in Corn Mouth

http://matt.west.co.tt/spectrum/csi-miami/

http://www.worldofspectrum.org/equinox/music/

  On 6/9/2014 at 6:37 PM, Chalybs said:

 

  Quote

 

Aphex Twin is also credited with background sounds for the TV show CSI: Miami. The episode Bunk (season 1 episode 13) has a scene in which the characters use an XRF spectrometer to analyse a suspect's shirt — but the electronic background noises are actually Spectrum loading noise, the same segment used in Corn Mouth

 

http://matt.west.co.tt/spectrum/csi-miami/

http://www.worldofspectrum.org/equinox/music/

 

Thanks, still seems a bit OTT to credit him for a sound effect, or am I missing something?

  On 6/9/2014 at 9:03 PM, FinePrimitiveSounds said:

 

  On 6/9/2014 at 6:37 PM, Chalybs said:

 

  Quote

 

Aphex Twin is also credited with background sounds for the TV show CSI: Miami. The episode Bunk (season 1 episode 13) has a scene in which the characters use an XRF spectrometer to analyse a suspect's shirt — but the electronic background noises are actually Spectrum loading noise, the same segment used in Corn Mouth

 

http://matt.west.co.tt/spectrum/csi-miami/

http://www.worldofspectrum.org/equinox/music/

 

Thanks, still seems a bit OTT to credit him for a sound effect, or am I missing something?

 

Yeah, you're missing everything. TV shows can't legally just take music from professionals and use them without credit.

Richard's the one behind the "autoglass repair, autoglass replace" jingle.

also it was his idea to do the clearance warehouse sales ads with the shouty cunt yelling nonstop at a million miles per hour. he got this notion shortly after Come To Daddy.

just some little-known facts.

  On 6/10/2014 at 7:48 AM, usagi said:

Richard's the one behind the "autoglass repair, autoglass replace" jingle.

 

  On 6/10/2014 at 7:41 AM, peace 7 said:

 

  On 6/9/2014 at 9:03 PM, FinePrimitiveSounds said:

 

  On 6/9/2014 at 6:37 PM, Chalybs said:

 

  Quote

 

Aphex Twin is also credited with background sounds for the TV show CSI: Miami. The episode Bunk (season 1 episode 13) has a scene in which the characters use an XRF spectrometer to analyse a suspect's shirt — but the electronic background noises are actually Spectrum loading noise, the same segment used in Corn Mouth

http://matt.west.co.tt/spectrum/csi-miami/

http://www.worldofspectrum.org/equinox/music/

Thanks, still seems a bit OTT to credit him for a sound effect, or am I missing something?

Yeah, you're missing everything. TV shows can't legally just take music from professionals and use them without credit.

They should instead credit whoever made the computer game that RDJ sampled the loading sequence of.

I was high, listening to the most recent Grimes LP and it pretty much sounds like Aphex produced the whole thing.

  On 6/10/2014 at 9:39 PM, fenton said:

I was high, listening to the most recent Grimes LP and it pretty much sounds like Aphex produced the whole thing.

I think he's her main influence. She self produces everything and tells anyone who wants to produce for her to fuck off.

The Genesis track has a vibe that's on par with the best AFX naivete, I think.

There was a guitar only demo sounding version/cover of Cone to Daddy in the Paedageddon episode of Brass Eye.

well we found avril 14th on a Kanye West song didn't we?

I'm sure Richard is behind Radiohead.

I read an interview with Chris Cunningham where he asked Aphex to make some music for him. In the end, Chris had to cobble together music from old Aphex tracks and stuff he'd made himself because Aphex hadn't gotten round to doing it. And the Warp boss (Beckett I think?) also said in an interview he'd never met someone who couldn't understand why you would do anything for anyone else, while talking about D Jams.

If he doesn't help his mates out with tracks, why the heck would he do it for random tv shows and adverts, apart from just licensing tracks already out there? It's more of his nonsense. Nonsense that I find very funny, I add.

  On 6/10/2014 at 7:48 AM, usagi said:

Richard's the one behind the "autoglass repair, autoglass replace" jingle.

wait you guys have that in britain too? lol

  On 6/20/2014 at 10:43 PM, Akiak said:

 

  On 6/10/2014 at 7:48 AM, usagi said:

Richard's the one behind the "autoglass repair, autoglass replace" jingle.

wait you guys have that in britain too? lol

 

Safelite, Carglass, and Autoglass all use the same jingle (*brand name* repair, *brand name* replace!) in various countries. They're all owned by http://en.wikipedia.org/wiki/Belron

Since all his stuff is published via BMG/Chrysalis, wouldn't they have a list of works he was credited for?