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hey guys hope all is well. i really have appreciated all your help on the forum with feedback. its been a good way for me to polish a lot of my tunes.

i will take the time to pay it forward and check your works too.

all the best be happy make music.

Edited by Hybernation
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Nice subtle use of effects on the first one. Although I would have preferred some diversity, I know that's hard to accomplish in a live performance. The part at 05:18 could have come a bit earlier.

Orions belt is delicious. Nothing left to say.

Same goes for Syntax Error, very interesting rhythm.

You sure have talent!

Sean Ae yeah so many of these analogue forums are people 90% bragging ang 10% uploading tracks that go fdghfgdhfddhgasfgdsfdsahfdfhdsgfgds

 

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thanks :) its all for the love man :) whats the world with out music and art??? time i checked some of the other guys stuff :)

lots of hidden talent on this site.

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sometimes back in the day there was no daw only atari or midi sequencers and dat but that was last century. 16meg of ram went along way too

all the best :)

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Wait- what the fuck- these are all your music+vids mister Hybernation?

 

Cuz uh... theeeeese are pretty good.

 

Like, good.

 

Kudoz.

 ▰ SC-nunothinggg.comSC-oldYT@peepeeland

 

 

 

 

 

 

 

 

 

 

  On 4/22/2014 at 8:07 AM, LimpyLoo said:

All your upright-bass variation of patanga shitango are belong to galangwa malango jilankwatu fatangu.

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thanks :) such a gr8 community of gr8 musicians here stoked to be part of it all :) all the best :)

Edited by Hybernation
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The natural room reverb is really fucking good. I've also experimented with having natural room reverb, because I felt it conveyed a deeper energetic aspect of the music (basically, that it added the flavor of the creation environment into the vibez, adding the element of being able to share a space with the listener). Such musical recordings feel to me just one step away from having the artist punch me in the dick. (Sterility is an aesthetic lie- just as digital music implies sonic purity, when actually listening to live music has never existed in such a form. Even when the purity concept seems to work in recorded orchestral music, the fact that the sounds of any nearby listeners is absent, and rustling of my clothes and sounds of my nostril breath cannot be heard through headphones whilst listening to such recordings (my brain doesn't mute them through interaction), is proof of bastardization and skewing of human experience-by-interaction. The lie of the hi-end audiophile world is a jump in logic akin to arguing that watching porn is equivalent to being in love. For any composers who've bothered to read this random shit, I hope it somehow positively re-enforces your humanity into your own music; your heart, your soul, your grit, your b.o., your imperfections. Modern society wants you to believe in refinement in masks as the penultimate truth, and whilst living physically sincere is very difficult-- if you have something to hide from anybody in your music composition- if in any way you've been holding back for ANY reason with music- you are doing yourself a disservice. There can only be benefit from fearless and sincere composition, and every time you scrapped an idea because you predicted it would end up sounding like someone else-- that was only fear and insecurity steering you from a result that would most likely have sounded nothing as you imagined. Every single fucking reason you ever held back or felt your track sounded like shit-- every single time, was a lie to keep yourself comfortable; keeping yourself away from that raw emotion that modern society has labeled as "crass". The reason why so many bedroom produced tracks sound "mediocre" is not cuz they're shit-- it's cuz they contain perfectly encoded emotions of bored-comfort, un-enthusiasm, etc. As you can only perceive to your limits, never forget that the greatest music you've ever experienced has only been so because you are sharing the heart of humanity-- your personal perception of what you deem to be the greatest music, is actually you indirectly experiencing YOUR highest level of musical sense. You will never know a composer who is greater than you. In a world of idealized hi-fi digital purity whatever nonsense, just remember that there will never be the need to experience any emotions, because all will "experience" such things by being shown a card which simply states "emotion". One of the ancient and ultra purposes of music is to steer humanity away from such a state of being. The superficial perception is that we are bedroom producers. The truth is that we are messengers, reminders, and spreaders of emotive-humanity, and every track we've ever recorded, was done so with the cosmic intention of documenting the human experience as emotion. Emotion goes into music-- this process is reversed when listening to it, allowing the listener to feel. Music RECORDS EMOTION. Music is magic. Music is one of the few true panaceas. Compose music with the fearlessness of being the sole creator of eternity, with the enthusiasm and sincerity of a child. Godspeed.)

 ▰ SC-nunothinggg.comSC-oldYT@peepeeland

 

 

 

 

 

 

 

 

 

 

  On 4/22/2014 at 8:07 AM, LimpyLoo said:

All your upright-bass variation of patanga shitango are belong to galangwa malango jilankwatu fatangu.

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Nice. Well, you've definitely been on a dancefloor before.

 

The intro reminded me of Bodenständig 2000's Plankalkül... well, the bassline to Psilodumputer's remix, anyway.

 ▰ SC-nunothinggg.comSC-oldYT@peepeeland

 

 

 

 

 

 

 

 

 

 

  On 4/22/2014 at 8:07 AM, LimpyLoo said:

All your upright-bass variation of patanga shitango are belong to galangwa malango jilankwatu fatangu.

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