What're Your Favorite BLEEPYBLOOP Techniques?

I like to write an out of tune arpeggio sine wave from Massive and pitch it really high and use frequency shifters run thru a distortion and automate some gantz graf kinda things then run that thru a filter with feedback 0% and frequency pretty low... throw a delay over top that and then automate over the whole group with a pitch shifter thing and then wow a lot of cool sounds

 

 

I usually just highpass the buffers, simple and effective

edit: if that doesn't cut it, maybe throw some physmod into the delay network and turn up the FFT a bit

Edited December 7, 2015 by Guest

  On 12/7/2015 at 1:16 PM, phling said:

I usually just highpass the buffers, simple and effective

edit: if that doesn't cut it, maybe throw some physmod into the delay network and turn up the FFT a bit

 

I use this exotic technique called sample and hold. Google it.

Monomachine.

sending melodies through glitch 1.3

Turing Machine into DPO.

I create trigger sigs with radio static put through an ms-20.

jab at the keyboard whilst cumming stupid hard

That's how I make my splish splosh sounds.

How should I know? I use ghost producers.

  On 12/7/2015 at 1:58 PM, flacid said:

Monomachine.

yeah, it's so good for blippy chippy sounds

  On 12/7/2015 at 1:49 PM, slate said:

 

  On 12/7/2015 at 1:16 PM, phling said:

I usually just highpass the buffers, simple and effective

edit: if that doesn't cut it, maybe throw some physmod into the delay network and turn up the FFT a bit

 

 

beginners reactions to electronic music production especially idm

Edited December 10, 2015 by Kavinsky

  On 12/7/2015 at 1:16 PM, phling said:

I usually just highpass the buffers, simple and effective

edit: if that doesn't cut it, maybe throw some physmod into the delay network and turn up the FFT a bit

Meh thats how i make scrambled eggs

  On 12/7/2015 at 4:04 AM, PhylumZunami said:

I like to write an out of tune arpeggio sine wave from Massive and pitch it really high and use frequency shifters run thru a distortion and automate some gantz graf kinda things then run that thru a filter with feedback 0% and frequency pretty low... throw a delay over top that and then automate over the whole group with a pitch shifter thing and then wow a lot of cool sounds

 

 

I cant duplicate this! All im getting is a 993 hz sine wave.

  On 12/10/2015 at 5:40 PM, xox said:

 

  On 12/7/2015 at 1:16 PM, phling said:

I usually just highpass the buffers, simple and effective

edit: if that doesn't cut it, maybe throw some physmod into the delay network and turn up the FFT a bit

Meh thats how i make scrambled eggs

oh yeah? when sidepassed with the FAK500 compressor, this setup creates some pretty special spectrum inversion in the bass waves.

Feed this signal into a sysex expander --> LUSH

try this with your eggs.

 

p.s. make sure to brickwall the sysex expander

Edited December 11, 2015 by Guest

Das' such dankwave, phling

I record the the blips with my phone at the supermarket when I'm scanning items at the self service till.

 

Then I shake my phone for a bit, thus rearranging the bits in the recording.

 

Protip: An arms length windmill action will produce slight timestretching also

punched alex trebek and stole the jeopardy sound thingy

I've been super into using drums to trigger automation. Starting at 2:08 in the track in my signature, most of the acid sounds after come from using drums to trigger cuttoff, cutoff width, resonance, etc. Also using different drums for different parameters. My favorite kind of drums to use are ones with sharpish automation curves.

I set up a ton of midi in a chosen key, in 1/4th, 1/8th and 1/2 notes (and sometimes 16th). I record the automation using drums, maybe manually tweaking some aspects. For instance I might use the drums for the cutoff, but I might also manually trigger an LFO and LFO with a slider or something.

After I record a ton of samples, I splice and dice and arrange, such as in that track. That track was one of the first times I REALLY got into it, and the stuff I'm working on now is notably more advanced :)

One side effect of doing this, is that the samples you record often sound 'wild' and 'natural' if that makes sense. They don't use static or straightforward automation curves generally so it's easy to get variation.

The rabbit hole with this technique goes pretty far I'd say.

I've been borrowing a Korg Pandora PX4 from a friend, running drum tracks through the "guitar synth" effect and tweaking it can make some pretty unusual sounds. Need to sample a bunch of it before I give it back.

Make a sample pack 4 me plz

  On 12/13/2015 at 2:24 AM, Djeroek said:

heh heh. I wonder if he plays his other instrument that well.. you know, the OTHER one he owns

Recording a melody with delay and then reversing the audio file