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Heinrich Mueller - False Vacuum

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Heinrich Mueller remix compilation out September 23 on Weme

 

https://wemerecords.com/shop/heinrich-mueller-false-vacuum-2lp-blue-vinyl-pre-order/

 

 

This is the first time any of Heinrich Mueller’s highly sought after remodels/reworks have been compiled together. Many have been previously available only on limited releases and have patiently been awaiting discovery by a wider audience. For those who don’t know, since the mid ’90s Heinrich Mueller (Drexciya/Dopplereffekt) has been quietly amassing an impressive catalogue of these unique productions (currently about  40+) which completely transforms the other artist’s track to his own exacting specifications. To the effect that there might be very little or nothing at all left of the original production.

These 9 specially selected examples embrace all facets of his approach.

First up is the ultra smooth and minimal ‘Fadin’ Away’ by The Hacker from 2000, probably one of his most sublime and timeless creations. Then jump forward to 2011 when he serves up an infectious and sparse slice of robot funk for Albert van Abbe’s ‘NCS_0009121010’. By the time of Alek Stark’s ‘Halo 6’ (2014) he’s still got the dance-floor on his mind, but it’s located on an alien or perhaps underwater world in some dimension parallel to our own. In 2009 he works for the first time with fellow Drexciyan traveller DJ Stingray and delivers the hard edged but still quite delicate ‘Drone FX’. Jump to 2005 and he conjures the playfully disjointed ‘P.O.M. (Time Dilation Mix 2)’ for Duplex.

In 2000, when he had a close relationship to the label, International DeeJay Gigolo, who were releasing Dopplereffekt and the first fruits of Der Zyklus, they commissioned him to make a series of groundbreaking mixes. On one of which he got to mesh his own futuristic vision with that of Stanley Kubrick on ‘Dave’ by Station Rose. The other closes this collection and is another of his most accessible works, with the best bassline, ‘What Use’ by the legendary ’70s San Francisco band, Tuxedomoon. In 2011 he also produced a darkly atmospheric and relentlessly mechanical interpretation of DJ Stingray’s ‘The Sadist’. In 2003, another of his best production efforts,  again aimed off-squarely at yet another form of mutant dance floor, came out of a total revamp of an untitled track by The Advent.

Fittingly this was originally included on Recreations, an album where artists were invited to do what Heinrich Mueller does best.

http://drexciyaresearchlab.blogspot.com

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Wouldn't mind this being or becoming the first in a series.

This one's tracklist is alright, but still misses a few of Donald's better remixes/remodels, like:

 

 

 

 

 

  On 8/27/2018 at 12:32 PM, psn said:

Preordered!

 

That Albert Van Abbe Remodel track is basically this track, btw?

 

 

not the first time he's used that choir sound, no, but I think that remix is better than the Roche Limit tracks

 

https://nocommentplatform.bandcamp.com/track/ncs-0009121010-heinrich-mueller-remodel

 

IMO

false cuum

  On 11/24/2015 at 12:29 PM, Salvatorin said:

I feel there is a baobab tree growing out of my head, its leaves stretch up to the heavens

  

 

 

  On 8/27/2018 at 1:09 PM, pizza said:

this one's also excellent:

 

 

Cheers! Heard this on a mix some years back. Glad to finally track it down :w00t:

 

Also nice:

 

  • 2 months later...
  • 6 months later...

only just got round 2 listening 2 this epic compallection, &, having burned a cd w. sum of its trax thats now been in the car stez for a whole month, (a record 4 the vehicle) heinrich's frequencies wigging out neighbourhoods & wobbling the 2001 model chassis ((:: so've paid a friend 2 order an lp off of discogs, coz wasn't available any else where /; 

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  • 3 years later...
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