SOPHIE - BIPP (Autechre Mx)

No one mentioned footwork. This remix is definitely AE's take on footwork.

Is it?

Wow! I love it. I wish the boys made accessible stuff like this more often. Reminds me of - Autechre Play Weissensee Against Im Glück (Original Composition by Neu!)

  On 2/13/2021 at 10:43 PM, Compvig said:

No one mentioned footwork.

same reason no one mentioned grindcore

  On 2/13/2021 at 10:43 PM, Compvig said:

No one mentioned footwork. This remix is definitely AE's take on footwork.

I get the footwork flavour, but footwork didn't invent this type of rhythmic busy- and jumpy- ness, it merely sped it up from its Chicago ghettodance roots

  On 2/13/2021 at 10:43 PM, Compvig said:

No one mentioned footwork. This remix is definitely AE's take on footwork.

100% nonsense ^

With each listen this track cements itself further  into easily  being the best track of 2021 

It's  simply excellent

  On 2/14/2021 at 4:19 PM, KovalainenFanBoy said:

same reason no one mentioned grindcore

really need a from enslavement to obliteration remix: autechre pls

the rmx is ayte but that ableton sound is all over it

  On 2/20/2021 at 12:13 AM, xox said:

the rmx is ayte but that ableton sound is all over it

honestly curious if you could expand on this. i've thought the same about some tunes i've heard before but didn't notice it on this one in particular.

unless you're just shitposting  in which case feel free to ignore and facepalm me

genuinely unaware of this phenomenon, what is the 'ableton sound'?

You guys are mad!  

spending your time on gearslutz?lol

Sean mention they turn all their system into Live for the remix and he didn't like it (the Live system, not the remix).

If they have something such their own hardcore player that they have build for decades why not use it for the remix?

SOPHIE - BIPP (Grænulator Mx)

I was so stoked to hear AE remixing SOPHIE but this did not really do much for me. Then I thought "how could a collaboration possibly sound like?" and I came up with this: https://delikuvveti.bandcamp.com/track/l-l-p-simd 

basically tracks the main points of SOPHIE's career with some interesting tidbits sprinkled throughout, bookended by BIPP ofc. don't think i'd ever heard that Vince Staples track. shit's fuckin massive.

  On 10/5/2021 at 1:34 AM, auxien said:

basically tracks the main points of SOPHIE's career with some interesting tidbits sprinkled throughout, bookended by BIPP ofc. don't think i'd ever heard that Vince Staples track. shit's fuckin massive.

Pretty fiery beat for Vince Staples, unfortunately no instrumental, but there's a separate demo (before adding hats and the trap alike)

  On 10/5/2021 at 1:34 AM, auxien said:

basically tracks the main points of SOPHIE's career with some interesting tidbits sprinkled throughout, bookended by BIPP ofc. don't think i'd ever heard that Vince Staples track. shit's fuckin massive.

Expand  

There's a couple of SOPHIE beats on that album, both are bangers.

Sophie sounds like Otto von Schirach made by someone 10 years younger. Autechre just removed all fx and showed what these tracks are actually made from which is interesting 

Yeah, interesting because 1) it still works 2) it straight up sounds like mid 80s electro pop a la Shannon, which judging by Autechre's DJ sets is right up their alley. In a weird way I read this as a big compliment.

This remix makes me want to hear an Autechre electro album, maybe more 90s and less math.

  On 10/10/2021 at 5:53 PM, Rubin Farr said:

This remix makes me want to hear an Autechre electro album, maybe more 90s and less math.

that mix they did  few years ago is a pretty rockin classic electro/hip hop survey of stuff they're into. i forget what it was no though.. but it's seamless mixing has all the classics and more 

  On 2/20/2021 at 2:05 AM, cern said:

Sean mention they turn all their system into Live for the remix

src?

  On 10/12/2021 at 2:50 PM, WurstPLUS said:

src?

Sean mentioned it in the Mixlr chat if I remember correctly

its a pooper

  On 10/12/2021 at 2:50 PM, WurstPLUS said:

src?

The asian interview 2020:

What did you program?

SB: Actually, we mainly transferred our existing patches to Ableton. The reason for this was that we were asked to do a remix for SOPHIE. At that time, we couldn't process our stems in the live setup.

RB: It was designed too much for real time.

SB: For the remix, I transferred a few of the patches to Ableton and started to dig into them. Finding myself in context. I hadn't worked with a DAW in years before. I actually didn't want to.
RB: We actually use DAWs more to master our tracks. So that was a more compositional approach to our real-time setup.

SB: We practically did live jams for NTS, the elseq parts and Exai. For an hour or so, then boiled it down into tracks, then put some layers on top, for example from other live jams, and then coded the track. That worked well.

And how did it go this time?

SB: We built it up layer by layer, very gradually, in Ableton. I don't like Ableton that much, but it supports Max / MSP patches. And then we haven't done the SOPHIE remix in ages. That only happened a few months ago, and completely different than originally planned. We didn't use a lot of the material that we had produced to get used to this new setup. And this is mainly where SIGN emerged. We met after six months of training and heard a common thread in Rob's stuff, to which a couple of my pieces fit. The album came out unintentionally.

“My attention span is a little shorter than Robs. I get bored faster than him. "

Maybe I wasn’t in the correct frame of mind before, but this remix has really grown on me. It’s exceedingly ace!