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EKT Share Your Secrets


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  On 8/2/2010 at 3:49 AM, Brandi_B said:
  On 8/2/2010 at 2:53 AM, Awepittance said:

in Adobe Audition or Cooledit pro if you type negative values in for the Hz rate on the Phaser effect, you get really weird stabbing percussion sounds

in Adobe Audition or cooledit pro if you use the parametric equalizer, type a Q rate in of .01 and turn it up extremely loud. The EQ gets these interesting glassy like timbers that no other EQ i've used is capable of, you can make drone music with this baby by itself

shhh!!!! us cep/audition users gotta keep our secert weapons quiet!

 

Kidding...

 

I didn't know that about the eq. But i've experienced that with the phaser. Something about cool edit/audition, it's like a really uniquely voiced synth (ie: waldorf synths) nothing else goes quite there. Granted you may not want it for certain stuff. But yeah. Cool edit ftw.

 

The fft filter, and the eq with some ridiculous curves, and the dynamic eq, and the dynamic delay, and everything really. I think there's a lot of people that came into abelton/reason post cool edit are missing out on.

 

absolutely, Cooledit pro to me is the holy grail of sound design. I get more interesting results from tinkering with Edit's built in effects than i have with anything else.

 

we should trade cooledit tricks, do you chat on aim or anything like that?

This is the best tip ever, a technique I came up with myself - but I am 100% certain 70000 jamaicans did it before me: put flangers/chorus boxes before your delay/reverb units. Increase the feedback on the flanger/chorus to such an extent that it starts generating nice feedback peaks and it will in turn make your delay/reverb channel SOOOOOOOOOOO wet and organic.

i usually get it as wet as possible with spit. remember everyone, body fluids are better than lube.

through the years, a man peoples a space with images of provinces, kingdoms, mountains, bays, ships, islands, fishes, rooms, tools, stars, horses and people. shortly before his death, he discovers that the patient labyrinth of lines traces the image of his own face.

Tape loops.

New Future Image album, Definite Complex, out now!
FUTURE IMAGE RECORDS

Future Image Definite Complex
Intelligent Dasein Sound Experiments #1
papertiger harmonizing the seams
P/R/P/E The Speed of Revolution
William S. Braintree This is Story

Kaleid Machines

Guest chunky
  On 8/4/2010 at 1:03 PM, Mesh Gear Fox said:
  On 8/4/2010 at 12:25 PM, chunky said:

generator 1.5 <- v. small... maybe 20mb or less and can run well on old laptops

what is this? google doesn't seem to help

 

old version of reaktor

try reaktor 2.3 for vst support (also very small)

Guest iamabe
  On 8/4/2010 at 1:47 PM, impakt said:

This is the best tip ever, a technique I came up with myself - but I am 100% certain 70000 jamaicans did it before me: put flangers/chorus boxes before your delay/reverb units. Increase the feedback on the flanger/chorus to such an extent that it starts generating nice feedback peaks and it will in turn make your delay/reverb channel SOOOOOOOOOOO wet and organic.

 

that sounds awesome. can you supply an audio example?

OK here you go:

http://home.no/csal/sample.mp3

 

Just Maschine and some treated reverb/delay units :)

  On 8/4/2010 at 5:01 PM, impakt said:

OK here you go:

http://home.no/csal/sample.mp3

 

Just Maschine and some treated reverb/delay units :)

 

awesome

  On 8/4/2010 at 3:06 PM, thanks robert moses said:

i usually get it as wet as possible with spit. remember everyone, body fluids are better than lube.

  On 8/4/2010 at 4:02 PM, iamabe said:

that sounds awesome. can you supply an audio example?

  On 8/5/2010 at 12:07 AM, Jimbob said:

It must really suck having your gear more or less dictate the style of music you make

Hehe, you're funny.

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