Osla for n

  On 11/9/2013 at 3:06 AM, bitroast said:

was discussing l-event with modey the first day it came out, and one thing we both really agreed on was the songs seem to be backwards

*3rd eye widens*

Further thoughts: Enjoying this track more and more. My latest revelation is just how perfectly the main motif blurs the line between a rhythmic vs. melodic component of the sound.

+1 to Coil - Careful What You Wish for

Also reminds me of this quite a bit

http://www.youtube.com/watch?v=JfJc728GIos

This is the most sexually charged Ae I've heard since Theme of Hidden Roundabout. The beats repel and compel intermittently

first 4 minutes have an intense buildup. the glass shard / worbly fx sounds that are in the background of the 'tame' main rhythm break up the tension from that main rhythm perfectly. listen to the hollow flute / glass / dunno what to call it sound at 3:27 and further out at loud volume. absolutely amazing sound and structure. i say the repetitive rhythm really has to be there to add the tension, and it also sounds to me kinda 90s industrial-that-never-existed or something.

then at 4 mins you get the spaceship background drone and other similar atmospherics, and it's just beautiful. one of their best tracks in years i say.

by the way, newbound's melody is of similar epic ness with its beautiful melody that's some kind of off world melancholy / something.

listened to these tracks so many times now and theyre just filled to the brim

  On 11/26/2013 at 9:05 PM, PlatrixECV said:

Further thoughts: Enjoying this track more and more. My latest revelation is just how perfectly the main motif blurs the line between a rhythmic vs. melodic component of the sound.

Exactly, this is very Confieldy! I'd love a whole EP of this hypnotizing weirdness!

It's 2014 and this song is still terrible.

  On 1/1/2014 at 7:40 PM, StephenG said:

It's 2014 and this song is still terrible.

i like it, they needed some quick cash so they remixed this song

http://www.youtube.com/watch?v=iNjTOPfo-oE&feature=player_detailpage

LOL to both of those

Hahaha yes.

Sent using magic

I can finally say that I really enjoy this track. There is some clever yet emotional composition. My least favourite from L-Event is the opener. I find it to be too basic and shallow (in Ae standards) and too much of a wow effect that quickly goes away.

I get more and more from this EP with every listen - Absolutely stellar release

And Osla For N is probably the highlight track for me. It's like going on a terrifying night drive through dark contry side lanes in a wild storm with your car on its last legs with you trying to get home in one piece. Completely dark and horrific - Love it !

  On 1/1/2014 at 7:43 PM, hello spiral said:

 

  On 1/1/2014 at 7:40 PM, StephenG said:

It's 2014 and this song is still terrible.

 

 

 

flol!

  On 1/1/2014 at 7:43 PM, hello spiral said:

 

  On 1/1/2014 at 7:40 PM, StephenG said:

It's 2014 and this song is still terrible.

 

 

 

Best New Year celebration ever

  On 1/10/2014 at 9:40 AM, Jev said:

I can finally say that I really enjoy this track. There is some clever yet emotional composition. My least favourite from L-Event is the opener. I find it to be too basic and shallow (in Ae standards) and too much of a wow effect that quickly goes away.

very well said.

Yeah I find the opener as bland and "ae by numbers" as the opener for Move of Ten, though it's a bit better.

That's the best track off Move of Ten! -I was going to add the "diablo" emoticon to this post because he looks outraged, but then I realized he gives the thumbs up. What's up with that?

or might work, lel

People who hate both tac Lacora and Etchogon-S are seriously fucked up, might as well rape kids.

hey leave the kids in my basement out of this

  On 12/4/2013 at 2:03 AM, Schlitze said:

This is the most sexually charged Ae I've heard since Theme of Hidden Roundabout. The beats repel and compel intermittently

  On 1/11/2014 at 1:24 PM, lumpenprol said:

or might work, lel

I did consider the 'read the rules' emoticon. But I thought I should bring up the diablo thumbs up since it ruins an otherwise great emoticon.

  On 1/11/2014 at 4:48 AM, lumpenprol said:

 

  On 1/10/2014 at 9:40 AM, Jev said:

 

 

I can finally say that I really enjoy this track. There is some clever yet emotional composition. My least favourite from L-Event is the opener. I find it to be too basic and shallow (in Ae standards) and too much of a wow effect that quickly goes away.

very well said.

 

Yeah I find the opener as bland and "ae by numbers" as the opener for Move of Ten, though it's a bit better.

Except for the really unsubtle overly obvious "whoa" change up at around the 2 minute mark, Tac Lacora is

pretty neat. Same gripe with prac-f, and around the same time mark 2 minutes funnily enough.

Maybe it will make sense with more listens, but it just seems like a really unwanted spanner in the works

section in both tracks.

Osla for n makes total sense, slow burning and hypnotic once you get used to the abrasive sounding main beat. Like Rob said it's the final danger zone before you're home

safe in Newbound.

My uncle suffers from recurring nightmares, in which no matter what happens the same stark, gruelling theme will appear every night. It's not only scary, but it carves away at his stamina, as it continues time and time again, as tedious and tiring as ever. Sometimes he realises he's is dreaming, seeing the same things he's sick of seeing every night, but powerless to escape it. It often disturbs and breaks up his sleep, leaving him weak and tired in the morning.

When I first heard Osla for n, it occured to me this track would make a brilliant musical analogy for this experience. The type of repetition here is obnoxious and uneven. From the moment the rhythym is heard at the beggining of the track, its distinctive, groaning timbre does not change at all, and we are left to endure its heavy blows over and over again. It is its own sickening, malevolent theme, which completely binds and throws itself at you for a prolonged length of time. It's the process of being startled, then coping with, then getting sick of the rhythmic motif of the track that paints the picture, and it is very powerful.