AE_LIVE

the second half of all of these are incredible. much more variation, beat heavy and dark and sinister as fuck!

  On 12/10/2015 at 10:29 PM, jules said:

the second half of all of these are incredible. much more variation, beat heavy and dark and sinister as fuck!

Totally agree, there are some dark turns indeed, tearing at the fabric of space and time for sure.

  On 12/10/2015 at 10:18 PM, autopilot said:

Krems rocks

Without hearing Katowice yet I would have to say that Krems hit me the hardest, even the fades to silence rock.

  On 12/10/2015 at 11:07 PM, styrio said:

 

  On 12/10/2015 at 10:29 PM, jules said:

the second half of all of these are incredible. much more variation, beat heavy and dark and sinister as fuck!

Totally agree, there are some dark turns indeed, tearing at the fabric of space and time for sure.

 

Agreed. Agreed.

  On 12/10/2015 at 10:29 PM, jules said:

the second half of all of these are incredible. much more variation, beat heavy and dark and sinister as fuck!

Yeah, to me the beginning of each set is a little underwhelming, but then by the time that massive sidechained trance pad comes in I'm like "hooooooly shit", and then everything after halfway just gets RIDICULOUS

Dunno if this has been mentioned already but I came across this piece by François Morellet which really reminds me of the AE_LIVE artwork... Répartition aléatoire de triangles suivant les chiffres pairs et impairs d'un annuaire de téléphone, 1958 (which seems to translate as "Randomized triangles next to odd and even numbers of a phone directory").

http://a403.idata.over-blog.com/5/05/81/04/13-14/art-et-maths/morellet-_-repartition-aleatoire-des-chiffres-pa-copie-1.jpg

And this! "For Morellet, a work of art refers only to itself. His titles are generally sophisticated, show some word play, and describe the "constraints" or "rules" that he used to create them. Like other contemporary artists who use constraints and chance (or the aleatory) in their works (John Cage in music, the Oulipo group in literature), Morellet uses rules and constraints established in advance to guide the creation of his works, and he also allows chance to play a role in some of his compositions"

https://en.wikipedia.org/wiki/Fran%C3%A7ois_Morellet

these sets leave me speechless. my god. i love em

  On 12/11/2015 at 2:36 AM, FEF said:

Dunno if this has been mentioned already but I came across this piece by François Morellet which really reminds me of the AE_LIVE artwork... Répartition aléatoire de triangles suivant les chiffres pairs et impairs d'un annuaire de téléphone, 1958 (which seems to translate as "Randomized triangles next to odd and even numbers of a phone directory").

http://a403.idata.over-blog.com/5/05/81/04/13-14/art-et-maths/morellet-_-repartition-aleatoire-des-chiffres-pa-copie-1.jpg

 

And this! "For Morellet, a work of art refers only to itself. His titles are generally sophisticated, show some word play, and describe the "constraints" or "rules" that he used to create them. Like other contemporary artists who use constraints and chance (or the aleatory) in their works (John Cage in music, the Oulipo group in literature), Morellet uses rules and constraints established in advance to guide the creation of his works, and he also allows chance to play a role in some of his compositions"

https://en.wikipedia.org/wiki/Fran%C3%A7ois_Morellet

Good find.

The similarities are too many to be by coincidence!

  On 12/11/2015 at 5:20 AM, StephenG said:

 

  On 12/11/2015 at 2:36 AM, FEF said:

Dunno if this has been mentioned already but I came across this piece by François Morellet which really reminds me of the AE_LIVE artwork... Répartition aléatoire de triangles suivant les chiffres pairs et impairs d'un annuaire de téléphone, 1958 (which seems to translate as "Randomized triangles next to odd and even numbers of a phone directory").

http://a403.idata.over-blog.com/5/05/81/04/13-14/art-et-maths/morellet-_-repartition-aleatoire-des-chiffres-pa-copie-1.jpg

 

And this! "For Morellet, a work of art refers only to itself. His titles are generally sophisticated, show some word play, and describe the "constraints" or "rules" that he used to create them. Like other contemporary artists who use constraints and chance (or the aleatory) in their works (John Cage in music, the Oulipo group in literature), Morellet uses rules and constraints established in advance to guide the creation of his works, and he also allows chance to play a role in some of his compositions"

https://en.wikipedia.org/wiki/Fran%C3%A7ois_Morellet

Good find.

 

The similarities are too many to be by coincidence!

 

And this one is apparently by him also?

https://c1.staticflickr.com/9/8326/8425267645_0bf03e37dd_b.jpg

  On 12/11/2015 at 1:46 AM, modey said:

 

Yeah, to me the beginning of each set is a little underwhelming...

At first I thought this too but after few listens I changed my mind. I really enjoy first 7 minutes (or so) in Krakow. Some really exciting moments for me. Can't comment about other sets yet as I really try to take time with each Ae's release.

Ok instead of burning the new sets for my 4.5 hour car journey tmrw, to avoid brain melting overload, i got:

Hemsby 2008

Melbourne 2010

Krem 2015

Can't wait!

  On 12/11/2015 at 5:24 AM, StephenG said:

 

  On 12/11/2015 at 5:20 AM, StephenG said:

 

  On 12/11/2015 at 2:36 AM, FEF said:

Dunno if this has been mentioned already but I came across this piece by François Morellet which really reminds me of the AE_LIVE artwork... Répartition aléatoire de triangles suivant les chiffres pairs et impairs d'un annuaire de téléphone, 1958 (which seems to translate as "Randomized triangles next to odd and even numbers of a phone directory").

http://a403.idata.over-blog.com/5/05/81/04/13-14/art-et-maths/morellet-_-repartition-aleatoire-des-chiffres-pa-copie-1.jpg

 

And this! "For Morellet, a work of art refers only to itself. His titles are generally sophisticated, show some word play, and describe the "constraints" or "rules" that he used to create them. Like other contemporary artists who use constraints and chance (or the aleatory) in their works (John Cage in music, the Oulipo group in literature), Morellet uses rules and constraints established in advance to guide the creation of his works, and he also allows chance to play a role in some of his compositions"

https://en.wikipedia.org/wiki/Fran%C3%A7ois_Morellet

Good find.

 

The similarities are too many to be by coincidence!

 

And this one is apparently by him also?

 

https://c1.staticflickr.com/9/8326/8425267645_0bf03e37dd_b.jpg

 

WOAHH!!

And I'm pretty sure, when they will put out all live, each of these graphics will prove to be only a piece of a larger mosaic.

nah.. doubt it

  On 12/11/2015 at 2:36 AM, FEF said:

Dunno if this has been mentioned already but I came across this piece by François Morellet which really reminds me of the AE_LIVE artwork... Répartition aléatoire de triangles suivant les chiffres pairs et impairs d'un annuaire de téléphone, 1958 (which seems to translate as "Randomized triangles next to odd and even numbers of a phone directory").

http://a403.idata.over-blog.com/5/05/81/04/13-14/art-et-maths/morellet-_-repartition-aleatoire-des-chiffres-pa-copie-1.jpg

 

And this! "For Morellet, a work of art refers only to itself. His titles are generally sophisticated, show some word play, and describe the "constraints" or "rules" that he used to create them. Like other contemporary artists who use constraints and chance (or the aleatory) in their works (John Cage in music, the Oulipo group in literature), Morellet uses rules and constraints established in advance to guide the creation of his works, and he also allows chance to play a role in some of his compositions"

https://en.wikipedia.org/wiki/Fran%C3%A7ois_Morellet

Nice find! Also this:

https://en.wikipedia.org/wiki/Truchet_tiles

  On 12/11/2015 at 1:24 PM, misc said:

 

  On 12/11/2015 at 2:36 AM, FEF said:

Dunno if this has been mentioned already but I came across this piece by François Morellet which really reminds me of the AE_LIVE artwork... Répartition aléatoire de triangles suivant les chiffres pairs et impairs d'un annuaire de téléphone, 1958 (which seems to translate as "Randomized triangles next to odd and even numbers of a phone directory").

http://a403.idata.over-blog.com/5/05/81/04/13-14/art-et-maths/morellet-_-repartition-aleatoire-des-chiffres-pa-copie-1.jpg

 

And this! "For Morellet, a work of art refers only to itself. His titles are generally sophisticated, show some word play, and describe the "constraints" or "rules" that he used to create them. Like other contemporary artists who use constraints and chance (or the aleatory) in their works (John Cage in music, the Oulipo group in literature), Morellet uses rules and constraints established in advance to guide the creation of his works, and he also allows chance to play a role in some of his compositions"

https://en.wikipedia.org/wiki/Fran%C3%A7ois_Morellet

 

Nice find! Also this:

 

https://en.wikipedia.org/wiki/Truchet_tiles

 

Also this:

http://10print.org/

GRAFENHAINICHEN might be the best of the lot. wtf!! insane. the last 30 minutes are just ridiculous.

mebbe

we should do a watmm listening session where we all listen to all the sets in chronological order

whoever chickens out is NOT AN FAN

  On 12/11/2015 at 5:45 PM, phling said:

mebbe

we should do a watmm listening session where we all listen to all the sets in chronological order

whoever chickens out is NOT AN FAN

That sounds like an awesome idea actually. Anyone want to set up a Mixlr and get on it?

ah mixlr is a good idea!

thought of just agreeing on a time and then everyone would hit play simultaneously, but this allows for no break..

the mixlr host would have to guarantee full 9 hour availability.

(personally I don't have time right now gotta work)

  On 12/11/2015 at 5:45 PM, phling said:

mebbe

we should do a watmm listening session where we all listen to all the sets in chronological order

whoever chickens out is NOT AN FAN

ADHD here, can't do it. Not a fan, I know...

I like this idea purely as a war of attrition.

But for ears.

Krems is insane! Second half is just one blissful mindfuck.

no one has listened to the grafen one? it's so different

It was the second of the new batch I've listened to, jules. And it is insane. The other so far was Katowice and I think it's my preference of the new ones...but I've still got three to go

http://99percentinvisible.org/wp-content/uploads/2013/08/ZebraShips.jpg

Dazzle/distortion/disruptive camouflage reminds me of the live artwork on several different levels

holy shit grafenhainichen