Com Truise - Iteration (June 16th 2017)

  On 6/16/2017 at 5:54 PM, fumi said:

Part of the problem, I believe, is that they spend so much in their individual creative worlds that when they finally emerge into the light with their new work, they've lost any objective view of it.

 

 

This is a good point, and I think it's an issue that's compounded by the internet and social media. Bubbles can encapsulate not just the artist but labels, fans, and genres to the point where they are out of touch with a bigger context of music past, present, or future. Granted, there were tight-knit scenes and genres in the past that isolated themselves but the biggest difference was they were still curtailed by geographic isolation, time, limited resources. Now people can literally see feedback, analysis, memes, etc. of their own work in a matter of hours. I've become turned off of a lot of outlets of discussion and even whole genres because this stuff also leads to mob mentality, lack of canon, and even historical revisionism. 

 

It also leads to people being torch carriers for certain trends and when they are so lauded and successful there's no incentive to change much. Switching radically can be such a risk to turn off older fans too because they can so readily find other music. So I think some might overthink this or try to ignore and end up being very, very hyperaware of what they release or don't release. That happened with Grimes. He spent years on her last album, with mixed fan reaction to one of her singles being a factor in taking so long, collaborated with all these people, tried all these new instruments and production methods, and it was still a pretty meh pop album imo. On the flipside Genesis was made in fury in less than a week in a garageband and it's excellent.

i thought this was really good actually, it caught me off guard a bit. it is obviously similar to his other stuff but i really got into it when listening this morning.

I listened again this morning - starting to grow on me. I think the reason we get disappointed with these kinds of releases is we're expecting new territory for them, and they deliver (admittedly good) variations of what we fell in love with them as artists in the first place, and are disappointed when there's nothing new.

 

Ironically, the flip side of this is when an artist does go in a new direction, and is derided for "losing their sound".

lol posted the wrong response in the wrong thread, my stupid ass

Edited June 17, 2017 by BoomTssPhace

 

 

  On 6/16/2017 at 5:00 PM, joshuatx said:

Likewise there are artists I really love that I must admit have a pretty locked down production method. Like classic 70s and 80s era dub music, I could listen to that shit all day forever and never get sick of it but it is extremely formulaic. Plenty of sample-based music (vaporwave is a good example or artists like VHS Head or 1991) or genre-defined music (black metal) falls in this camp too, even the best artists are actually quite creative and adventurous in their scope of work. To an outsider it all sounds the same.

Mmmm I see your point on an intellectual level, but in the case of VHS Head at least there's way more emotional resonance, at least for me. Might just be a matter of taste or, like you say, initiation.

But yeah I can listen to dub all day too.

I also find there is way more emotional content with Lone compared to Com Truise and Tycho (who for me just sounds like call-waiting muzak). The Lone album from last year had some stunning pieces on it.

 

Seriously, who could not like this?

 

and if you're going for perfected 80s aesthetic and sound palette then why not just listen to mitch murder. latest EP was really great

 

 

Edited June 21, 2017 by dr lopez

Upon hearing the album maybe the blending of the tracks is intentional. This album really is absolutely fantastic as driving music, perfect chillwave for a journey, similar but different like the scenery! Hearing the album from the first track till the end is the only way since there's no standout tracks. 

 

Replayability is really low though, I can't imagine hearing it too often because of the points already made in previous posts.

  On 7/17/2017 at 11:25 PM, vasio said:

Upon hearing the album maybe the blending of the tracks is intentional. This album really is absolutely fantastic as driving music, perfect chillwave for a journey, similar but different like the scenery! Hearing the album from the first track till the end is the only way since there's no standout tracks. 

 

Replayability is really low though, I can't imagine hearing it too often because of the points already made in previous posts.

 

Yeah, that's a good point. It probably is good driving music.

 

What I find really bad about Com Truise and Tycho (who is by far the worst offender) is what Brian Eno famously said about the Muzak Corporation in the late 80s.

 

"The problem with Muzak is that they made music you could ignore but they didn't make music you could listen to."

I started out by not being able to get into his albums much at all (Galactic Melt, In Decay), perhaps because it all sounded the same. Then one day I had some artist radio station on and the song Data Kiss played out of its usual context. And it sounded amazing! And maybe that's the best way to hear this stuff? I don't know, but I've revisited that song and it's still great, along with a few others that are just fantastic on their own merits.