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The Tuss


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It also comes under the title yellow cellophane days which is another old shamen track from the Gorbachev record. I'm I big fan of that early shamen stuff so just caught my interest linking them to the tuss/...

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Jus pooped a little. Doesn’t surprise me. EOD is top shelf and a super accomplished producer. Tbh, if you played anything off of Named before I’d heard it and said it was a Syro outtake, id believe it full heartedly. 

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  On 7/26/2020 at 3:53 PM, garbage_burner said:

Jus pooped a little. Doesn’t surprise me. EOD is top shelf and a super accomplished producer. Tbh, if you played anything off of Named before I’d heard it and said it was a Syro outtake, id believe it full heartedly. 

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btw, was just goofing around with you, (in case my post came out as a bit cuntish). Yeah, much love for Mug Bass. Sadly, I have only 128 kbps version of it, dunno if it was ever available in higher bit rate, but really hope it will end up on some random eod archival release.....someday.

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  On 7/26/2020 at 4:10 PM, Uros said:

btw, was just goofing around with you, (in case my post came out as a bit cuntish). Yeah, much love for Mug Bass. Sadly, I have only 128 kbps version of it, dunno if it was ever available in higher bit rate, but really hope it will end up on some random eod archival release.....someday.

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No worries. I’ve lurked on here for awhile and know the tone of the place. 
the only reason I thought mug bass was legit was that it was posted on the same MySpace page with vibervibed synth which later became 180db. 
it also would mean that EOD had a bigger hand in the disinformation campaign 

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  On 7/26/2020 at 7:22 PM, perunamuusi said:

What ya gotta say about the tuss?

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Still making a fuss over the tuss 14 years on

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  • 3 weeks later...

For me the Tuss is definetly one of the best RDJ acid has to offer. I listened to it first as rushup edge album and it blew my mind completely, especially that it was made by some British couple and a kid))) the more I ve listened to it more I doubt that it was actually the case. After a friend of mine and my flat mate got himself the confederation though vinyl and I ve listened to fredugolon 6, I completly felt in love. Still up to this day even after syro and collapse ep, I believe that fredugolon 6 and synthacon 9 are the one of the best acid tracks sound wise. Complexity wise not really, a lot of acid tracks from druqks were more complex than those two, like omgyiya switch, vordhosbn, cock/ver, meltphace. Or some tracks from syro b side, like earth portal mix, or psylumincence mix... they have much more complex structure and a lot more stuff going on, but still those fredugolon and synthacon tracks they have a special place in my heart. 

P.s. beautiful Japanese people has warm nostalgic effect on me, similar to the one I get from listening to some warm Boards of Canada tracks.

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The first time I bumped Rushup I Bank 12 was the fan video after reading some yes/no speculation from watmm/xltronic if it really was afx. To this day, watching it takes me to some special place. Love the track too!

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I wish he’d share the nagra recorded drums on SoundCloud so that we may all revel in it’s bliss. Would love to chop those breaks. Also wonder who played them?

27332395-A72B-4CDA-BE21-B137C7298751.jpeg

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Honestly surprised it took you 12 years to listen to a 6 track EP.

I first heard The Tuss in a cafe in Columbus, OH and immediately thought it was Aphex Twin. Hearing "Last Rushup 10 F" for the first time was a real treat, especially since it deviated from his usual harmonic structure.

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I remember first playing the preview clips online of Confederation Trough, halfway thru Fredugolon I was thinking holy shit- who are these guys?this stuff is amazing! Then after hearing the rest I was like yeah this is prob AFX.

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  • 6 months later...

                                     finally broke down and listened to akunk on yt...... oh please release this awesomeness in the store:)

                                                                          :aphexsign::aphexsign::aphexsign:

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  • 1 month later...
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