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that could be true as lots of tracks just feature repeating samples and stuff

 

so Invaders must die seems to be real as it was on the official website agree?

 

 

 

I can not easily distinguish that as fake as the last album was below expected standard as well lol but it makes really sense (and keeps my hopes up as I really like Invaders)

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please don't tell me Prodigy are already retro. they were bad enough the first time.

Positive Metal Attitude

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  mr maha said:

 

Take Me To The Hospital sounds... okay. From what can I hear it almost sounds like something The Chemical Brothers would have made back in the 90s. But I might be wrong.

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  Squee said:
  mr maha said:

 

Take Me To The Hospital sounds... okay. From what can I hear it almost sounds like something The Chemical Brothers would have made back in the 90s. But I might be wrong.

I like the sound of it, much of this new record sounds very hopeful.

It's difficult to cast full judgement when only crowd recordings are available. When I saw them at V Festival, both the new tracks Worlds on Fire and Warriors Dance sounded brilliant. I never will and never have looked into their music deeply - it's just very simplified listening to me, and I enjoy the rhythms in some of these new tracks emerging. Liam is no RDJ, but he's good at creating a catchy melody.

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that new track is much better than invaders must die. reminds me a bit of baby's got a temper, cause of the melody that comes in around 37seconds. maybe i'm being too nitpicky though.

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  • 2 weeks later...
Guest joshier
  Hoodie said:
i don't understand the hate for pendulum. hold your colour is a lot better than anything i'm seeing off this album so far.

I don't mean to offend pendulum, it's rather that pendulum got popular, remxed a prodigy track (voodoo people) .. it got a lot of attention and prodigy saw how many people liked the simple drum n bass beats and then thought 'i know, lets do that, it's well popular!'

 

Back in the day, not that I was very conscience of it at the time - but weren't prodigy a bit underground, or gave less of a fuck if the mainstream people didn't like it?

 

maybe they've always been sell-outs, i don't know.

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joshier you seem to care a pathetic amount about whos selling out and whos not.

 

cant you just listen to the music and either like it or dislike it?

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  • 2 weeks later...

Anyone hear their new track on Radio 1 tonight? The band are presenting Zane Lowe's show from 19.00 - 21.00.

 

It's called "Omen", sounds good - well I enjoyed it, not too sure many here would. With The Prodigy, they were sort of part of my music collection when growing up as a teen, so I'm always happy to hear something new from Liam. There's a link to download the streamed recording here: http://www.brainkiller.it/public/forum/vie...78&start=45

 

It's much better than Invaders Must Die.

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ok, now i see the pendulum comparisons. the plucky synths, the vocals...

 

also, that melody at 1:39 sounds really similar to the melody in "one night in new york city."

 

 

i know that they're different, but they sound super similar for some reason.

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Sounds good. I like pretty much everything Liam has done, whether it is the most technologically amazing or an evolutionary step in electronic music, or (considered) the opposite and critically dumped upon, I always dig his stuff. I will say always out numbered was a little less upbeat dancey than previous stuff/what I like from him, but hopefully this will bring that back into the light.

 

I can kinda see the pendulum comparisons too, and being a fan of pendulum and slowly coming off of a long dnb phase I can understand this step as dnb tempos and boom cak- boom cak, boom cak..... boom cak, *breakbeat* boom cak cak... bass wooaaaamp, is a lot more expected/accepted in a lot of [dj/live pa/scene clubs] these days, as playing slower tempos between 120-1140 can lop you in with the house/trance crowd which sadly brings about a lot of tense hard feelings from more hardcore scenes, or dnb scenes, or what have you. I saw just play whatever as long as people dance, but dnb esque beats do stand out a bit from trance/house/4 on the floor beats since they are so commonplace (at least in the states) in live clubs/live venues [more popular, go out and dance not go see so and so dj clubs] these days.

 

so i see his reasoning. Plus he's prolly just into the sound at the moment.

Edited by Brandi_B
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i don't think that was a reference to out of space, i think that's liam running out of patches to use.

 

i wish he would just make more stuff like the prodigy experience. i don't understand why he has to try a new (and progressively cruddy) style for each album.

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