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XI year old Autechre Album Released: Exai (WARP234)


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  On 1/6/2013 at 4:52 AM, disoriental express said:
I hope it sounds like something i never thought of. :cerious:

 

this. + 20th anniversary nods to incoonaboola, in some ways, unimaginable and never before heard yet familiar and ting. and 606.

  On 1/6/2013 at 4:52 AM, disoriental express said:

I hope it sounds like something i never thought of. :cerious:

"Music's only futuristic if you haven't heard [or thought of] it yet." -- Sean Booth

Autechre Rule - Queen are Shite

Guest pixelives

One interesting thing I've noticed with my circle of friends on Facebook is the acknowledgement and interest in this upcoming release. I'd say most of these people haven't been REALLY into Ae or stuff of this nature since the heyday of the 90's.

I'm wondering why?

Is it some yearning for a truly proper underground "real deal" artists when everything, even in the "independent" world, is marketed and controlled to a tee mirroring the majors? Is it something else? Is it Ae getting more palatable again sonically for more casual listeners since the last two releases?

Maybe something like the popularity of Flylo also has something to do with it?

 

Either way, it says something about sticking to your guns and staying true to your own trajectory.

Guest pixelives
  On 1/6/2013 at 3:09 AM, wabby said:
  On 1/6/2013 at 1:14 AM, sirch said:

 

  On 1/6/2013 at 12:47 AM, Bread said:

 

  On 1/6/2013 at 12:37 AM, Lianne said:

 

  On 1/5/2013 at 5:54 PM, pixelives said:

 

  On 1/5/2013 at 11:51 AM, coax said:

pixelives can you give a mini-review perhaps? some small info about how it sounds or something? or maybe its just best to wait idk. up to you

I'll probably be getting something in the mail Mon/Tues.

 

It's up to you guys if you want me to say anything. FWIW, I'm not trying to brag or anything. I just thought you guys should know that preproduction copies are going out now. I'm just lucky to have this awesome friend who has an awesome job.

 

I realize that the wait it is the hardest part, but the anticipation is also kind of awesome. I'd be in the same spot if it wasn't for this scenario.

 

I would really, really love to hear some impressions as soon as you get the album. Don't worry about the complaints - please just share your perspectives on the new work ahead of the release. :-)

 

yes I would also appreciate this

 

Dittooo

 

It's a vote for not hearing your opinion from me.

What I guess I can do is write something elsewhere, like on my tumblr, for instance and send over the link, so if you want to read it, you can. Works?

  On 1/6/2013 at 5:28 AM, Joseph said:
"Music's only futuristic if you haven't heard [or thought of] it yet." -- Sean Booth

 

  On 10/21/2015 at 9:51 AM, peace 7 said:

To keep it real and analog, I'm gonna start posting to WATMM by writing my posts in fountain pen on hemp paper, putting them in bottles, and throwing them into the ocean.

 

  On 11/5/2013 at 7:51 PM, Sean Ae said:

you have to watch those silent people, always trying to trick you with their silence

 

  On 1/6/2013 at 5:30 AM, pixelives said:
Is it some yearning for a truly proper underground "real deal" artists when everything, even in the "independent" world, is marketed and controlled to a tee mirroring the majors?

 

an astute observation that i rarely ever hear mentioned here or anywhere else. I downloaded pretty much every release i was unaware of in the watmm top releases of 2012 thread because i've been very much out of the loop recently and not really to my surprise (with a few huge exceptions) most of it seemed heavily (and successfully) marketed but mostly average and forgettable. It's actually very disturbing to me how much corporate marketing techniques have been adopted and wielded by 'underground' culture.

Edited by Awepittance
  On 1/6/2013 at 4:06 AM, Lianne said:
What are people hoping it'll sound like?

 

Funny enough, I don't think I've ever once in my life hoped for an artist I liked to go in any particular direction on a new album. I just hope it's good.

  On 1/6/2013 at 5:35 AM, pixelives said:
  On 1/6/2013 at 3:09 AM, wabby said:
  On 1/6/2013 at 1:14 AM, sirch said:

 

  On 1/6/2013 at 12:47 AM, Bread said:

 

  On 1/6/2013 at 12:37 AM, Lianne said:

 

  On 1/5/2013 at 5:54 PM, pixelives said:

 

  On 1/5/2013 at 11:51 AM, coax said:

pixelives can you give a mini-review perhaps? some small info about how it sounds or something? or maybe its just best to wait idk. up to you

I'll probably be getting something in the mail Mon/Tues.

 

It's up to you guys if you want me to say anything. FWIW, I'm not trying to brag or anything. I just thought you guys should know that preproduction copies are going out now. I'm just lucky to have this awesome friend who has an awesome job.

 

I realize that the wait it is the hardest part, but the anticipation is also kind of awesome. I'd be in the same spot if it wasn't for this scenario.

 

I would really, really love to hear some impressions as soon as you get the album. Don't worry about the complaints - please just share your perspectives on the new work ahead of the release. :-)

 

yes I would also appreciate this

 

Dittooo

 

It's a vote for not hearing your opinion from me.

What I guess I can do is write something elsewhere, like on my tumblr, for instance and send over the link, so if you want to read it, you can. Works?

Nah I'm just jelly. You should post it. :)

  On 1/6/2013 at 12:38 AM, Friendly Foil said:
I'd like to know if it has any of the tracks from their live sets.

2003: "I hope Draft has some of the stuff from their live sets"

2005: "I hope Untilted has stuff from the live set on it"

2008: "I hear Quaristice is based on edited jams, at last some of the live sets"

2010: "Oversteps better have the live sets on it"

2010: "Move of Ten sounds like it will be a release of the live set"

2011: "Maybe a bonus live disc with the EPs box"

  On 1/6/2013 at 1:03 PM, blos said:
  On 1/6/2013 at 12:38 AM, Friendly Foil said:
I'd like to know if it has any of the tracks from their live sets.

2003: "I hope Draft has some of the stuff from their live sets"

2005: "I hope Untilted has stuff from the live set on it"

2008: "I hear Quaristice is based on edited jams, at last some of the live sets"

2010: "Oversteps better have the live sets on it"

2010: "Move of Ten sounds like it will be a release of the live set"

2011: "Maybe a bonus live disc with the EPs box"

Don't extinguish mah hopes.

Oh I hope it too, but long since resigned to collecting live recordings and expecting the albums to break new ground. Actually I think I would be disappointed at a live set release, since the live sets are like a whole second release schedule and we get (effectively) another lo-fi album each time they tour.

  On 1/6/2013 at 7:13 AM, Awepittance said:
  On 1/6/2013 at 5:30 AM, pixelives said:
Is it some yearning for a truly proper underground "real deal" artists when everything, even in the "independent" world, is marketed and controlled to a tee mirroring the majors?

 

an astute observation that i rarely ever hear mentioned here or anywhere else. I downloaded pretty much every release i was unaware of in the watmm top releases of 2012 thread because i've been very much out of the loop recently and not really to my surprise (with a few huge exceptions) most of it seemed heavily (and successfully) marketed but mostly average and forgettable. It's actually very disturbing to me how much corporate marketing techniques have been adopted and wielded by 'underground' culture.

 

Oh man, amen to that. At least I'm not the only one feeling utterly alienated.

  On 1/6/2013 at 1:48 PM, Obel said:
  On 1/6/2013 at 7:13 AM, Awepittance said:
  On 1/6/2013 at 5:30 AM, pixelives said:
Is it some yearning for a truly proper underground "real deal" artists when everything, even in the "independent" world, is marketed and controlled to a tee mirroring the majors?

 

an astute observation that i rarely ever hear mentioned here or anywhere else. I downloaded pretty much every release i was unaware of in the watmm top releases of 2012 thread because i've been very much out of the loop recently and not really to my surprise (with a few huge exceptions) most of it seemed heavily (and successfully) marketed but mostly average and forgettable. It's actually very disturbing to me how much corporate marketing techniques have been adopted and wielded by 'underground' culture.

 

Oh man, amen to that. At least I'm not the only one feeling utterly alienated.

 

lol, what underground culture ? no such thing anymore, getting a rip of some 100-copies-limted obscuro-post-fag-vaporcore is just as easy as getting the latest beyonce or something, the internet leveled everything, and thank fuck for that. it takes almost zero effort of snapping out of some corporate-lead stream you're perceiving.

  On 1/6/2013 at 7:13 AM, Awepittance said:
I downloaded pretty much every release i was unaware of in the watmm top releases of 2012 thread because i've been very much out of the loop recently and not really to my surprise (with a few huge exceptions) most of it seemed heavily (and successfully) marketed but mostly average and forgettable.

 

Hah, i did the same thing and feel the same way. That's the reason I began to make music...not that my music is any good as Ae but I'm listening them cause thy can do it better (for now :-p). Oversteps is not on my Top 3 Ae list but they were honest whit it, didn't try to amaze us and i respect that.

There's a million producers out there that just show off with a 'million events per second' music but nothing stands behind their music, no soul - no brain, nothing...and it's forgettable. High tech, high pro but forgettable.

Ae is one of a few that differs. I can hear THEM, a thou them everything else, visible and invisible...cause their music is veracious. This is the only thing that matters to me and I know they'll deliver.

So I don't expect any particular sound palette or style from Exai. For me it's enough it exist.

  On 1/6/2013 at 8:41 PM, xox said:
There's a million producers out there that just show off with a 'million events per second' music but nothing stands behind their music, no soul - no brain, nothing...and it's forgettable. High tech, high pro but forgettable.

 

testify!

  On 1/6/2013 at 10:57 PM, sirch said:
  On 1/6/2013 at 8:41 PM, xox said:
There's a million producers out there that just show off with a 'million events per second' music but nothing stands behind their music, no soul - no brain, nothing...and it's forgettable. High tech, high pro but forgettable.

 

testify!

As i sad: ''Ae is one of a few that differs.'' ...meaning, except of those few everybody else. But i guess i should sad IMO.

  On 1/6/2013 at 1:49 PM, modey said:
You forgot "wow, a 58-minute long track; maybe it's a live set!"

Dang, I forgot the "perlence subrange" mirage.

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