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The Guardian: Aphex Twin Barrowlands Review


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Aphex Twin

 

Barrowlands, Glasgow

 

David Peschek

Thursday May 4, 2006

The Guardian 3 out of 5 stars

 

 

Shapeshifter: Aphex Twin

 

"I expected something out of this world," says a woman in the crowd, "but this is too danceable," and she inflects the final word as if unsure whether it's a complaint or a compliment.

Such is the mystique surrounding Richard James, aka Aphex Twin, intensely private, super-prolific twister of electronic music into alien shapes, that you want his new music to sound like nothing on earth - a terrible burden for any artist to bear.

 

Barely visible behind his laptop, James has an unenviable task. Metal-heads, jonesing ravers, electro-nerds and serious, Wire-reading types jostle in Barrowlands, a historic rock venue that's wrong for this kind of show. While there are plenty of people who have been dancing from the beginning, when the music is more about rupture than rhythm, there's an equal amount who seem bewildered, and a few perplexed customers yelling abuse at the stage.

 

For James, this set is probably comparatively unchallenging. He has been known to play sheets of sandpaper, and his sets supporting Björk a couple of years ago were a barrage of galvanisingly horrible, formless noise. He plays what might be an obscure Prince remix, the odd selection from his Analord series of 12-inches - basically old-school rave with an incredibly elegant sheen - and a less than charitable Streets cut-up in which Mike Skinner is made to say: "I'm really shit but oh my gosh I don't know it, I should absolutely be shot."

 

He also plays an enormous amount of breathtakingly beautiful music that could only very loosely be called electro. The audience are never quite sure where it's going - the first really big cheer is for a briefly surfacing Northern Soul horn riff, cast into the melee like a rope to a drowning man. Snatches of blissful melody bubble up and are pulled under, and the crowd surge and retreat, latching on to what they can.

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id like to see him live one day and for him to do something cool that people will always say.

  skytree said:
First of all, Weetabix is right.

weet_abix.gif

  Barrichello said:
i dont remember anything about that, other than the streets piss take.

 

 

Haha that's Cassetteboy, wicked.

Guest aphelion

not sure what this reviewer on about to be honest, i mean

 

"cast into the melee like a rope to a drowning man"

 

hmmm....three letters, begins with "GAY"

 

that mike skinner sample was dido i think (white flag)

 

"im shit" replaced "im in love"

 

i.e. "im shit and always will be" (was a nice touch)

 

my favorite part though was when richard pulled out his dick

 

and the snatches of blissful melody started bubbling up.... :w00t:

 

 

post-1194-1146772516_thumb.jpg

  Solo Strike said:
  Barrichello said:

i dont remember anything about that, other than the streets piss take.

 

 

Haha that's Cassetteboy, wicked.

 

 

he's played cassetteboy before as well... the jamie oliver cutup

  On 5/7/2013 at 11:06 PM, ambermonk said:

I know IDM can be extreme

  On 6/3/2017 at 11:50 PM, ladalaika said:

this sounds like an airplane landing on a minefield

  kaini said:
he's played cassetteboy before as well... the jamie oliver cutup

 

joliver is a wicked track.

백호야~~~항상에 사랑할거예요.나의 아들.

 

Shout outs to the saracens, musulmen and celestials.

 

  • 9 years later...
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