DUBSTEP::::::::::

yeah man, the Funckarma is a mainstay in my musical diet and Kossak is making some awesome hybrid electronic brilliance, downloaded all of the stuff up on his soundcloud and I plan to be using it in mixes...

  On 8/29/2010 at 11:05 PM, troon said:

  On 8/29/2010 at 9:56 AM, impotentwhitecapitalist said:

http://www.youtube.com/watch?v=yQaRWZCTi2o

we are in for some serious trouble

there's definitely some jazz band playing in that dubstep.

  On 8/31/2010 at 5:34 PM, Gocab said:

  On 8/29/2010 at 11:05 PM, troon said:

  On 8/29/2010 at 9:56 AM, impotentwhitecapitalist said:

http://www.youtube.com/watch?v=yQaRWZCTi2o

we are in for some serious trouble

there's definitely some jazz band playing in that dubstep.

how so? some familiar aphex sounds thrown in their definitely, but has anyone heard the actual dub track before?

some jazz starts playing over the track at 0:46. I think it may just be a trumpet, but I hope it's a jazz band.

  On 8/19/2010 at 5:59 PM, Deep Fried Everything said:

a friend gave it to me (not sure if it can be purchased or..?), but Delete's album ФЭА is Really awesome. find it if you can.

 

edit: ahhh here we are! D/L

man, nice one on the link. just giving this a listen through now. 'tis the exact style o' dubstep that I get down with but struggle to find more of. this'll go nicely in rotation along with Eleven Tigers and Clubroot.

http://soundcloud.com/lifeaftermath/disco-808

Out September 15th on Life After Math!

  On 9/17/2010 at 1:07 PM, Richy said:

Y HELO THAR!

I'm really feeling v.i.v.e.k's ep feel it. 4 distinct tracks each more awesome than the last.

http://www.youtube.com/watch?v=pN3sjxqSp1Q

oh, and the vinyl version comes with a 45-minute mix cd.

  Quote

Scientist Launches Dubstep Into Outer Space(Tectonic)

RELEASE DATE: 29TH NOVEMBER 2010

 

Tectonic’s most ambitious project to date, ‘Scientist Launches Dubstep Into Outer Space’ sees legendary dub engineer Scientist version 12 exclusive and unreleased dubstep rhythms from the scene’s top producers including Kode 9, Shackleton, Pinch and Mala. It’s a vital and unprecedented move for dubstep; one year in the making, uniting roots and futurism in visionary style. In archetypal style, Scientist puts decades of tactile, hands-on experience to work, deftly transforming the killer originals into living, breathing dub music with his most sacred of black arts.

 

The effect is most radical when he renders the ultra modern surfaces of Guido’s ‘Korg Back’ or Pinch and Emika’s prescient stepper ’2012′, realigning the dance’s depth perception with the skill of an electro-acoustic mastermind. No less, when working with vocalists such as Dokkebi Q’s Hitomi and poet Roger Robinson in King Midas Sound’s ‘U’ or the dread vibes of Spaceape on Kode 9′s ‘Abeng’, he enhances their duppy potential tenfold. Perhaps most spooky of all is his version of Shackleton’s ‘Hackney Marshes’, morphing the original’s Nyabinghi-like percussion into a subtly spiritual and psychoactive slab of riddim minimalism. However, for many the highlights will be the dreadnaught overhauls of Mala DMZ’s bassbin punishing ‘City Cycle’, and Loefah & Sgt. Pokes’ ‘Dog Money’ respectively, realising many dub-fiend’s most feverish dreams in ultra-heavyweight fashion.

 

Hopeton Brown aka Scientist is one of Jamaica’s most revered dub engineers. His career behind the mixing desk began in the mid ’70s at King Tubby’s Dromilly Road studios in Kingston earned him the “Scientist” tag in a legendary conversation between Bunny Lee and King Tubby. By the early ’80s he was working at Tuff Gong studios and it was during this period that he created his seminal series of albums for Greensleeves including ‘Scientist Rids The World Of The Curse Of The Evil Vampires’ and ‘Scientist Wins The World Cup’. In the tradition of Lee “Scratch” Perry, King Tubby, and Prince Jammy, Scientist developed a distinct and unmistakable style, manipulating reverb, delay and filters to create transient sonic dimensions which places him as one of the most distinguished dub engineers alive today.

 

With the advent of dubstep in the early ’00s and its subsequent entry to international consciousness, Scientist’s influence has never been more pertinent. From its genesis in sweaty, bass-loaded backroom sessions of South and East London to mainstream chart status, dubstep has come to define the cutting edge of dance music while still adhering to the deeply rooted principles of bass and space laid out by the original dub auteurs. Creating an optimized, tactile experience with emphasis on physical bass weight and immersive psychoacoustics is an aesthetic clearly shared by the original Jamaican engineers and the vanguard of contemporary dubstep.

 

Label boss Pinch says “This project has taken over a year to put together from its conception late last summer. The final results are worth every minute of effort that’s gone into this – this is definitely my proudest moment for Tectonic to date. The influence of dub swings round full circle!”

That's going to awesome! =D

  On 9/25/2010 at 4:58 AM, analogue wings said:

  Quote

Scientist Launches Dubstep Into Outer Space(Tectonic)

RELEASE DATE: 29TH NOVEMBER 2010

 

Tectonic’s most ambitious project to date, ‘Scientist Launches Dubstep Into Outer Space’ sees legendary dub engineer Scientist version 12 exclusive and unreleased dubstep rhythms from the scene’s top producers including Kode 9, Shackleton, Pinch and Mala. It’s a vital and unprecedented move for dubstep; one year in the making, uniting roots and futurism in visionary style. In archetypal style, Scientist puts decades of tactile, hands-on experience to work, deftly transforming the killer originals into living, breathing dub music with his most sacred of black arts.

 

The effect is most radical when he renders the ultra modern surfaces of Guido’s ‘Korg Back’ or Pinch and Emika’s prescient stepper ’2012′, realigning the dance’s depth perception with the skill of an electro-acoustic mastermind. No less, when working with vocalists such as Dokkebi Q’s Hitomi and poet Roger Robinson in King Midas Sound’s ‘U’ or the dread vibes of Spaceape on Kode 9′s ‘Abeng’, he enhances their duppy potential tenfold. Perhaps most spooky of all is his version of Shackleton’s ‘Hackney Marshes’, morphing the original’s Nyabinghi-like percussion into a subtly spiritual and psychoactive slab of riddim minimalism. However, for many the highlights will be the dreadnaught overhauls of Mala DMZ’s bassbin punishing ‘City Cycle’, and Loefah & Sgt. Pokes’ ‘Dog Money’ respectively, realising many dub-fiend’s most feverish dreams in ultra-heavyweight fashion.

 

Hopeton Brown aka Scientist is one of Jamaica’s most revered dub engineers. His career behind the mixing desk began in the mid ’70s at King Tubby’s Dromilly Road studios in Kingston earned him the “Scientist” tag in a legendary conversation between Bunny Lee and King Tubby. By the early ’80s he was working at Tuff Gong studios and it was during this period that he created his seminal series of albums for Greensleeves including ‘Scientist Rids The World Of The Curse Of The Evil Vampires’ and ‘Scientist Wins The World Cup’. In the tradition of Lee “Scratch” Perry, King Tubby, and Prince Jammy, Scientist developed a distinct and unmistakable style, manipulating reverb, delay and filters to create transient sonic dimensions which places him as one of the most distinguished dub engineers alive today.

 

With the advent of dubstep in the early ’00s and its subsequent entry to international consciousness, Scientist’s influence has never been more pertinent. From its genesis in sweaty, bass-loaded backroom sessions of South and East London to mainstream chart status, dubstep has come to define the cutting edge of dance music while still adhering to the deeply rooted principles of bass and space laid out by the original dub auteurs. Creating an optimized, tactile experience with emphasis on physical bass weight and immersive psychoacoustics is an aesthetic clearly shared by the original Jamaican engineers and the vanguard of contemporary dubstep.

 

Label boss Pinch says “This project has taken over a year to put together from its conception late last summer. The final results are worth every minute of effort that’s gone into this – this is definitely my proudest moment for Tectonic to date. The influence of dub swings round full circle!”

 

 

at first glance i was hoping this was purely a scientist dubstep album, not as excited now seeing it's remixes of kode 9 and the regular players.

I'll have to look up that mix

  On 9/26/2010 at 7:58 PM, Awepittance said:

at first glance i was hoping this was purely a scientist dubstep album, not as excited now seeing it's remixes of kode 9 and the regular players.

i was hoping it was voyager 3 and they were launching dubstep albums into space

  On 9/26/2010 at 7:58 PM, Awepittance said:

at first glance i was hoping this was purely a scientist dubstep album, not as excited now seeing it's remixes of kode 9 and the regular players.

erm, a Scientist album that isn't remixes?

  On 9/26/2010 at 9:46 PM, analogue wings said:

  On 9/26/2010 at 7:58 PM, Awepittance said:

at first glance i was hoping this was purely a scientist dubstep album, not as excited now seeing it's remixes of kode 9 and the regular players.

 

erm, a Scientist album that isn't remixes?

lol

  On 9/26/2010 at 9:46 PM, analogue wings said:

  On 9/26/2010 at 7:58 PM, Awepittance said:

at first glance i was hoping this was purely a scientist dubstep album, not as excited now seeing it's remixes of kode 9 and the regular players.

 

erm, a Scientist album that isn't remixes?

if they are 'dubs' of dubstep music it could be cool, the term remixing could be interpreted different ways. most dub music is made by using a preexisting song but in my mind there is a distinct difference between dubbing out a multitrack recording of a song and remixing. edit: reading over the blurb again they don't say they are remixes so i must have pulled that out of my ass

http://blackdownsoundboy.blogspot.com/2010/09/rinse-september.html

New zomby showcase! Starts at 67:45, nice tunes!

prod: d. kennedy, w. bevan

http://www.youtube.com/watch?v=Q2jW6GnseoE&feature=player_embedded#at=410

this should be posted about a million times.

http://www.youtube.com/watch?v=oOT2-OTebx0

it actually kinda reminds me of ghosts by japan, and i can't recommend more than that.

dude everyone know that James Blake is the hot shit right! How unpretentious of you!