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  On 2/1/2010 at 1:41 AM, sneaksta303 said:

lol so says the perpetual noob

 

 

 

 

 

 

 

 

 

 

 

 

 

 

eh, don't worry, i think i fall into that category too :facepalm:

I haven't been called a noob in a while, you caught me totally off guard with that one. I think it's that my av has a juvinile-sort of element to it, but I could be wrong.

 

As a side-note I fucking love this thing ----> :trashbear: One day it wasn't there, and the next day it was!!!

Edited by thehauntingsoul
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Guest Calx Sherbet
  On 2/1/2010 at 1:41 AM, sneaksta303 said:

lol so says the perpetual noob

 

 

 

 

 

 

 

 

 

 

 

 

 

 

eh, don't worry, i think i fall into that category too :facepalm:

 

i run the perpetual noobiness clan

Edited by Calx Sherbet
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I didn't used to like it, but now I really like this track. But then, I like a lot of minimal ambient music.

 

It's not just because it's Autechre. If this was a new band I'd still like the music - I'd admire its restraint and its beautifully cold, detached, relaxing atmosphere. In some moods I you can get in, even much of minimal ambient music can be a little too emotional. Perlence subrange 6-36 is present enough to have a nice effect on you and to change the atmosphere of wherever you're at, but not so present or active so as to get in the way or impose any specific emotions. It does that balance more successfully than a lot of ambient music I've heard.

 

Perhaps it could do with a little more of the subtle variations, though. There is a nice high pad thing that comes in around 22 minutes, never to return again. If the occasional glimpse like that had come back from time to time it would have been rather lovely. Still, a solid track from Autechre. I'd like more where this came from.

Edited by Lianne
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  On 2/4/2010 at 2:43 AM, Lianne said:

I didn't used to like it, but now I really like this track. But then, I like a lot of minimal ambient music.

 

It's not just because it's Autechre. If this was a new band I'd still like the music - I'd admire its restraint and its beautifully cold, detached, relaxing atmosphere. In some moods I you can get in, even much of minimal ambient music can be a little too emotional. Perlence subrange 6-36 is present enough to have a nice effect on you and to change the atmosphere of wherever you're at, but not so present or active so as to get in the way or impose any specific emotions. It does that balance more successfully than a lot of ambient music I've heard.

 

Perhaps it could do with a little more of the subtle variations, though. There is a nice high pad thing that comes in around 22 minutes, never to return again. If the occasional glimpse like that had come back from time to time it would have been rather lovely. Still, a solid track from Autechre. I'd like more where this came from.

Now that I think of it, this is quite true. Alot of ambient music is just charged with way too much emotion. More often than not, this emotion is nostalgia, sadness, or loneliness. The problem with this is that you have to be in the mood to get down with those types of vibes. Just like you said, 6-36 has a nice balance and a good way of evening out the atmosphere without becoming too emotionally charged in any specific direction.

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  • 3 weeks later...

:braindance: OMG no worries... Worth the 9.99 This album is the autechre i know and love....Mind blowing in every way, rhythmically, melodically, spiritually. The only thing better would be a *&%^SOUNDBOARD RECORDING FORM THEIR LAST TOUR^%&* (or maybe their next one)

 

amazing record U vinyl ordering fU(%3rs are lucky :music:

Edited by MadnessR
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I know everyone is Overstepping at the moment, but I feel Perlence Subrange36 deserves more love. I'm the last person to just love something because Autechre made it - and I've heard plenty of other droney experimental ambient music which has a lot more obvious variation than this ambient monster - but Perlence Subrange36 is fabulous in its own right. Like I said, it's wonderfully restrained, minimal, and cold/grey sounding, but also full of movement and subtle changes. There are these snippets of field recordings (?) going all the way through it that are often changing, and sometimes morph into weird atmospheric wisps that sound super nice on headphones. Luckily, I happen to love the main 'loop', and this shifts at certain points in small but satisfying ways. Unlike a small number of other Ae tracks, I don't feel they just bashed this one out quickly: it's too controlled and deliberate. It's also got a lovely overall sound or sheen to it.

 

I can understand why people would have been disappointed when they first got it - a 57 minute track that sounds like it hardly changes!? But, once I accepted what it was, I felt it was the best 99p I've ever spent.

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It's wonderful to listen to while writing an essay. I listened to it twice in a row while doing my English final last semester (I got an A).

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  On 2/23/2010 at 5:55 AM, MadnessR said:

Qplay = First time in a long time I've found myself LAUGHING with joy at the brilliance of electronic music...

hahaha I love those moments. I had one during the last minute or so of Treale.

 

  On 2/23/2010 at 1:41 PM, Lianne said:

I know everyone is Overstepping at the moment, but I feel Perlence Subrange36 deserves more love. I'm the last person to just love something because Autechre made it - and I've heard plenty of other droney experimental ambient music which has a lot more obvious variation than this ambient monster - but Perlence Subrange36 is fabulous in its own right. Like I said, it's wonderfully restrained, minimal, and cold/grey sounding, but also full of movement and subtle changes. There are these snippets of field recordings (?) going all the way through it that are often changing, and sometimes morph into weird atmospheric wisps that sound super nice on headphones. Luckily, I happen to love the main 'loop', and this shifts at certain points in small but satisfying ways. Unlike a small number of other Ae tracks, I don't feel they just bashed this one out quickly: it's too controlled and deliberate. It's also got a lovely overall sound or sheen to it.

 

I can understand why people would have been disappointed when they first got it - a 57 minute track that sounds like it hardly changes!? But, once I accepted what it was, I felt it was the best 99p I've ever spent.

Out of all people, you're the last one I would figure would enjoy this one. If memory serves me correctly you shat all over Oversteps when the leak came out. I mean, if you can find the magic in 6-36 I can't fathom how you would miss the magic in Oversteps.

 

Although I think you repented your sins and confessed your undying love for Oversteps at some point in that enormous thread so yeah, its all good.

 

But Subrange 6-36 is amazing. Said it before, will probably say it again.

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I like Oversteps much more now, but Perlence Subrange36 occupies a very different territory to my ears. Oversteps may not have many tracks with beats, but it's not ambient in the way Perlence Subrange36 is. It's got obvious (obvious as in you can clearly hear them), constantly developing melodies on bold, chimey synth sounds for a start. Perlence Subrange36 is subtle, deep, dark ambience. A very different beast. :-)

Edited by Lianne
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Sometimes I wonder if people listen to, like, Sibelius's Violin Concerto in D minor, and are all "zomg there's no percussion! IT'S AMBIENT!" nowadays.

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