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Forgotten IDM producers

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  On 11/30/2012 at 3:12 PM, sirch said:
  On 11/30/2012 at 1:01 PM, BCM said:
  On 11/29/2012 at 11:59 PM, sirch said:
  On 11/29/2012 at 8:41 PM, BCM said:

i never actually liked "classic" IDM - like, in terms of the whole glitchy beats over pretty melodies thing that seemed to dominate. found it all really boring.

 

weird that you'd find that stuff boring but adore all the monotonous analord & tuss shite :emotawesomepm9:

 

you used to be a much better troll sirch, think you're losing your touch :emotawesomepm9:

 

lol

 

I don't drink alcohol anymore so I don't really get the urge to troll now. :)

 

 

 

ps. I hope you're not just *pretending* you like afx aswell! cos that would be weird.

 

I am Aphex.

Beaumont Hannant rules. His stuff really captures the vibe of being up alone at 2 am with the machines running and seeing where they can go.

 

  On 11/30/2012 at 2:58 PM, Gravity said:

On a lighter note, this thread is an absolute goldmine. All dem recommendations.

  On 11/30/2012 at 12:51 PM, Zephyr_Nova said:

 

Yes! I remember hearing a Beefcake track on a local college station late at night and frantically writing down their name and track name onto a scrap of paper in my car to look up later. They were on Hymen Records if I recall correctly.

 

  On 11/30/2012 at 1:02 PM, Awepittance said:

Kit Klayton is another one who probably influenced stuff that came much later like 2562

 

Good point, in fact the whole Clicks And Cuts series seems very influential on future garage/post-dubstep

 

  On 11/30/2012 at 1:05 PM, Awepittance said:

Xanopticon and Terminal 11 did and still do a lot of high tempo intricate beat programming. Don't see them mentioned very much on here

 

https://www.youtube....h?v=fFcXgUKDGM0

 

I'm surprised they aren't, at least not as much as Datach'i or Vsnares, they've made some really cool tracks. I remember watching that breakcore doc from years back and Xanopticon was the only producer that really peaked my interest.

Edited by joshuatx

What the hell happened to Jackson and His Computer Band? 'Smash' was way ahead of it's time, but that was back in 2005.

Edited by Goiter Sanchez
  On 11/30/2012 at 9:26 PM, Goiter Sanchez said:

What the hell happened to Jackson and His Computer Band? 'Smash' was way ahead of it's time, but that was back in 2005.

Discogs shows he remixed and produced here and there - otherwise he more or less disappeared. I know it's been mentioned in other threads.

Yeah seriously, that guy needs to keep making music. I would pay top dollar for a follow-up to smash.

Also, Terminal 11 are pretty sweet.

  On 11/30/2012 at 9:26 PM, Goiter Sanchez said:

What the hell happened to Jackson and His Computer Band? 'Smash' was way ahead of it's time, but that was back in 2005.

 

i think from what i've gathered on the board is that he sort of fell off the map due to his fondness for ketamine. I think Mr Oizo played a substantial role in getting that album off the ground as well, and i would argue that with the combination of Oizo's production help and Jackson's inventiveness that bands like Justice, Sebastian and most of the Ed Banger roster owe a lot to that single album.

  On 11/30/2012 at 4:21 PM, joshuatx said:

 

 

  On 11/30/2012 at 1:02 PM, 'Awepittance' said:

Kit Klayton is another one who probably influenced stuff that came much later like 2562

Good point, in fact the whole Clicks And Cuts series seems very influential on future garage/post-dubstep

 

some tracks off my favorite album of his, it's actually spelled Kit Clayton in case anyone was confused. For coming out in 1999 this album was pretty ahead of it's time. I know basic channel and pole were around but i would count his output from this period as equally as important to this whole off-shoot of dub.

 

 

Edited by Awepittance

Watmm's own Greenbank. His ep for benbecula is still worth tracking down.

 

Also Signer, in particular Low Light Dreams. One of may favourite ever tracks below, which I think I first heard on a mixtape Xela did for boomkat. And there's another one, Xela.

 

Edited by kakapo
  On 12/1/2012 at 2:02 AM, kakapo said:

Watmm's own Greenbank. His ep for benbecula is still worth tracking down.

 

Wat. I didn't know Greenbank was a WATMMer. That EP was great!

I forgot about Ochre. Here's Revolver, one of my favorite trax of his:


Edited by ambermonk

 

  On 10/21/2015 at 9:51 AM, peace 7 said:

To keep it real and analog, I'm gonna start posting to WATMM by writing my posts in fountain pen on hemp paper, putting them in bottles, and throwing them into the ocean.

 

  On 11/5/2013 at 7:51 PM, Sean Ae said:

you have to watch those silent people, always trying to trick you with their silence

 

Guest SecondaryCell

Alex Trevithick

Am-Boy

Casino Versus Japan

Cilocub

Exosphere

Gabriel

Gel-Sol

Gramm

Isan

Kilowatts

Maps & Diagrams

Mark.Nine

Orange Crush

 

[youtubehd]OV_OlQRpizE[/youtubehd]

 

[youtubehd]3egjZgRPioU[/youtubehd]

 

[youtubehd]1b2rwFQ_RpM[/youtubehd]

 

[youtubehd]MG1yPk0sUAk[/youtubehd]

  On 11/30/2012 at 9:26 PM, Goiter Sanchez said:

What the hell happened to Jackson and His Computer Band? 'Smash' was way ahead of it's time, but that was back in 2005.

 

He changed his name to VHS Head. (not really, but almost)

Prhizzm released one excellent EP on Benbecula and then disappeared...

 

http://www.youtube.com/watch?v=ZR4EoZqU2rg

 

Team Shadetek; they had an amazing Gescom-like approach to instrumental hip-hop. Not sure where they went...

 

http://www.youtube.com/watch?v=CjkBpW-f-5U

 

Also Sote; had a single EP on Warp and then never again from what I could tell... 'Electric Deaf' is like a genre unto itself (this quiet, mono Youtube link does not do the track justice in the slightest)

 

 

 

  On 12/1/2012 at 10:44 AM, Goiter Sanchez said:

 

Also Sote; had a single EP on Warp and then never again from what I could tell... 'Electric Deaf' is like a genre unto itself (this quiet, mono Youtube link does not do the track justice in the slightest)

 

 

 

 

he did a few more after that, one the sequel to Electric Deaf, 3 songs made in the same sessions called Wake Up which came out as a 12" on my label

 

69674a9d8f6c94b702b881b4755121a3.d4432a6

link with streaming previews here

 

and he veered in a completely different direction doing synthesized/electronic renditions of traditional Iranian folk music, also out on my label :emotawesomepm9:

 

c3cdb8a8d2fd421b6f5ff093084236e0.428898f

http://recordlabelrecords.org/sote-dastgaah.html

Edited by Awepittance
  On 12/1/2012 at 1:47 AM, Awepittance said:

 

  On 11/30/2012 at 9:26 PM, Goiter Sanchez said:

What the hell happened to Jackson and His Computer Band? 'Smash' was way ahead of it's time, but that was back in 2005.

 

i think from what i've gathered on the board is that he sort of fell off the map due to his fondness for ketamine. I think Mr Oizo played a substantial role in getting that album off the ground as well, and i would argue that with the combination of Oizo's production help and Jackson's inventiveness that bands like Justice, Sebastian and most of the Ed Banger roster owe a lot to that single album.

 

 

I also recall reading (probably here) that a debilitating perfectionism has kept him from deeming anything worthy of release since then. Could be the ketamine too for all I know.

  On 12/1/2012 at 10:51 AM, Awepittance said:

 

  On 12/1/2012 at 10:44 AM, Goiter Sanchez said:

 

Also Sote; had a single EP on Warp and then never again from what I could tell... 'Electric Deaf' is like a genre unto itself (this quiet, mono Youtube link does not do the track justice in the slightest)

 

 

 

 

he did a few more after that, one the sequel to Electric Deaf, 3 songs made in the same sessions called Wake Up which came out as a 12" on my label

 

69674a9d8f6c94b702b881b4755121a3.d4432a6

link with streaming previews here

 

 

Wow, amazing previews! I will def be downloading these from your label soon!

 

 

  On 12/1/2012 at 9:02 PM, Bob Dobalina said:

 

  On 12/1/2012 at 1:47 AM, Awepittance said:

 

  On 11/30/2012 at 9:26 PM, Goiter Sanchez said:

What the hell happened to Jackson and His Computer Band? 'Smash' was way ahead of it's time, but that was back in 2005.

 

i think from what i've gathered on the board is that he sort of fell off the map due to his fondness for ketamine. I think Mr Oizo played a substantial role in getting that album off the ground as well, and i would argue that with the combination of Oizo's production help and Jackson's inventiveness that bands like Justice, Sebastian and most of the Ed Banger roster owe a lot to that single album.

 

 

I also recall reading (probably here) that a debilitating perfectionism has kept him from deeming anything worthy of release since then. Could be the ketamine too for all I know.

 

 

Smash would be a toughie to follow up. SPD mentioned VHS Head and I do remember thinking they sounded similar when I first heard Trademark Ribbons...

I'd believe the debilitating perfectionism theory. Smash does sound like one of the most labored over Warp releases ever, and he sounds like a very self critical person in the interviews I've seen.

If I wasn't a musician[..]I would help women solve their problems by playing tennis and having sex with me..in california.

Sounds like a good job, no?

Я твой слуга, Я твой работник

  On 12/1/2012 at 10:27 PM, vincentvc said:

If I wasn't a musician[..]I would help women solve their problems by playing tennis and having sex with me..in california.

Sounds like a good job, no?

Great interview and hilarious guy...

  On 11/30/2012 at 11:53 AM, Xyrofen said:

 

  On 11/28/2012 at 5:26 PM, 'mcbpete' said:

Lexaunculpt

While not the same, he's been producing music with Brad Laner. Lexaunculpt also teaches music related courses at a community college in California.

 

 

Awesome, I'm gonna have to check that out as I love Electric Company (especially his Creative Playthings album)

I haven't eaten a Wagon Wheel since 07/11/07... ilovecubus.co.uk - 25ml of mp3 taken twice daily.

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