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Korg Monotron


Guest analogue wings

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Guest analogue wings

http://www.production-room.com/korg/korg-monotron/

 

http://www.youtube.com/watch?v=-v0FT8lXGSo

 

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Powered by two alkaline AAA batteries, the compact monotron can be held in one hand. Although small

enough to easily carry with you, the amazing monotron is packed with KORGs legendary analog technology,

generating thick and powerful sounds. Concentrating on the most important sound parameters, the controls

have been streamlined as much as possible. The panel contains only five knobs and one switch. With this

level of simplicity, now anyone can easily enjoy the world of analog synthesizers.

 

Borrowing the enjoyment of performing with a simple touch from Korgs wildly popular KAOSS products, the monotrons ribbon controller keyboard takes this ease of use even farther. Simple finger gestures can

produce expressive effects such as vibrato and glide. Used in a band, you can expand your possibilities by

harmonizing with another instrument ? or taking center stage for a monotron solo!

 

The monotrons circuit is radically simple: one voltage-controlled oscillator, one voltage-controlled filter, and

one low frequency oscillator. Since each knob directly applies a specific change to the sound, the process of

sound creation is intuitive, and instantly understandable. Simple is best. Gone are the deep lists of presetsand parameters typical of todays synthesizers. Instead, the monotron encourages exploration andexperimentation. The monotron provides the joy of sonic creativity that's at the heart of analog synthesis, making it an ideal choice for someone who is new to synthesizers, or for musicians who wants to expandtheir sonic palette.

 

The monotron uses the same highly acclaimed VCF circuit as KORGs classic MS-10 and MS-20 semi

modular synthesizers. Originally released over 30 years ago, these instruments are still coveted today for

their aggressive, dynamic filters. The VCF Cutoff knob sets the frequency or tone of the filter; the VCF Peak knob adds emphasis. A powerful filter is an essential aspect of any analog synthesizer, applying dramatic tonal changes to the sound, and projecting an intense personality that will stand out in any live performance.

Edited by analogue wings
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* Full-fledged, true analog synthesizer: VCO, VCF, LFO

* Inspiring, easy-to-play ribbon keyboard

* Intuitive, fun-to-tweak controls

* Features the same classic analog filter found in the legendary Korg MS-10 & MS-20

* Filter any external source using the audio input jack

* LFO can modulate either pitch of filter cutoff

* LFO Rate knob features cool LED visual indicator.

* Battery operation and palmtop size equals true portability

* Internal speaker/headphone jack lets you enjoy the sound anywhere ? alone or with friends!

 

monotoron_TOP_MAIN_634049404600190000.png

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monotoron_pers_634049404843580000.png

monotoron_rear_634049404921200000.png

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The monotron is awesome.

 

But the fact the KORG IS MAKING ANALOG SYNTHESIZERS AGAIN

 

has me...well. I don't know what. I'm just speechless. I'm so proud of them for kicking ass. I can almost ignore the fact they they still haven't updated the electribe line.

 

If they put out an electribe with an analog synth i might just have to give up music from being so shocked.

 

*round of applause*

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Guest analogue wings

This is the first time a big Japanese synth company has made an analogue synth since around 1988.

 

In other news there is a rumour of a Behringer Juno 106 clone. Some say it's a hoax but it's hardly far-fetched given their existing Boss, Electro Harmonix and MXR clones.

 

I wonder if either of these events will cause Roland to re-think their stance on reissuing old gear...

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You know. Korg really is an amazing company. They've been sorta slack in some departments over the past few years. But they really have some amazing innovative products. ANd not just synths, just all their products in general. WHen their Pandora portable guitar thing came out years ago, it was unmatched for quality and price. I still to this day use my Toneworks Ax1000g for guitar and for synth stuff. THe delays alone and analog style controls make it a keeper despite it's lower quality converters. Their analog synths in the past were all amazing and have lived on to be some of the most respected and sought after. And their electribes while being beat by other "groove boxes" as far as features go, stand ALONE as the easiest and most inspiring to use of them all.

 

 

I could go on for a really long time. I feel the same way about yamaha. I just love those two companies, and Waldorf. I'm a lil butthurt with yamaha though for being lax in the synth market, but they own cubase now and cubase 5 is srsly jammin. So yay yamaha. But korg has stayed more faithful to the synth/electronic market, whereas yamaha has veered more to everyone making some sacrifices.

 

yay

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  On 3/24/2010 at 3:28 AM, analogue wings said:

This is the first time a big Japanese synth company has made an analogue synth since around 1988.

 

In other news there is a rumour of a Behringer Juno 106 clone. Some say it's a hoax but it's hardly far-fetched given their existing Boss, Electro Harmonix and MXR clones.

 

I wonder if either of these events will cause Roland to re-think their stance on reissuing old gear...

Roland is rumored to be releasing a new synth that is actually a synth and not crap like the 201. I srsly just don't get roland. THe v-synth is fantastic. BUt other than that, I just don't understand their products in comparison to the legends they made in the 80's. The grooveboxes were very innovative, but god the sounds, filters, pretty much anything that made noise was all just horrible (imo).

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Yeah it seems these days roland gets the INTERFACE right but fails miserably at the sound. I thought the 201 interface was somewhat logical for the price. BUt gughhhh. The resonance reminds me of when i used to go on kvr and peopel would post "NOOB HERE, JUST MADE MY FIRST VST IS IT KEWL CHECK IT OUT" and then its meh and takes up 80% of your cpu.

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I completely agree about Roland losing their way in recent years. Last good synth they made was the JP-8000...

 

it'd be really cool if this thing inspires Korg and Roland to start producing analog gear again. anyway, I think this Monotron looks ace (sort of like a Stylophone on acid) and I'll probably get one as they're so cheap....

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SCORE! At long last one of the big companies hits back with an analogue piece of kit! I'll be buying and wiring in a vactrol to that cutoff pot for some nice CV control... :D

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Guest hahathhat
  On 3/24/2010 at 11:29 AM, BCM said:

I completely agree about Roland losing their way in recent years. Last good synth they made was the JP-8000...

 

it'd be really cool if this thing inspires Korg and Roland to start producing analog gear again. anyway, I think this Monotron looks ace (sort of like a Stylophone on acid) and I'll probably get one as they're so cheap....

 

from vague memories of sound-on-sound's SUPERB 4-part history of Roland (still on the site -- i should reread that) i get the impression that Roland is likely suffering from Polaroid syndrome... the founder of the company remains the driving force right up until his death, constantly pumping out winners. then he dies or retires, and since people always left all the innovation to him, no one's in line to continue doing innovative things. so, they play it safe, recycle stuff over and over, copy competitors... 10-20 years later, the company files chapter 11.

 

i hope i am wrong!

Edited by hahathhat
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50 euros is fucking cheap, considering the filter alone. nice that it has audio in as well!

 

but yeah no MIDI or CV/Gate is a shame

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Guest iamabe

does anyone like the 201? I got one a few months ago because I was looking for a cheapo hardware synth with knobs instead of menus, and for that I like it.. but I didn't realize it had such a reputation for "bad" sound. I'm a synth newb so I guess that's understandable, but now I feel kind of sheepish for it. a few months after I got it, I heard about the Doepfer dark energy (same price range but it's analog). Add to that Roland's new SH-01, which is the same thing but with an extra oscillator and a prettier interface, and I feel like I have a useless sh-201.

 

lame

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