Autechre Perfect Autechre Moments.

Perlence range 3, 6:24-6:43. That stuttery hip hop beat.

  On 4/5/2010 at 6:31 AM, dr lopez said:

6:28 --surripere

 

 

that little noise is the start of the next element part of the track, and it just adds a whole new sense of space in the landscape from the stuttering rhythms of the last couple of minutes. It's so great.

 

  On 4/3/2010 at 4:06 AM, tipper said:

The section about four minutes into 444 when all the instruments drop out save for that probing synth melody, recontextualizing it as a VI-I progression rather than VI-IV.

don't you mean the other way around or am i being stupid?

No, but I meant to say VI-V rather than VI-IV. That bit of Surripere is great too.

When the melody kicks in on the live recording of "Tilapia" that was broadcast on the john peel show (queen alexandra palace) Fucking immense!!

Mag, when the dopest fattest hip hop beat kicks in, ahhh yeh!

the rushes of noise and the breakdown to the funky beat+chromatic melody of left blank

and yes to yeesland+the winding down of tilapia

when latent quarter's second half kicks in

this is a useful thread. i have a lot of perfect ae moments, a lot of them are a little subjective. like when i first heard pen expers at a proper volume and noticed the chords. also when i first heard pro radii loud.

  On 4/8/2010 at 5:17 PM, theSun said:

a lot of them are a little subjective. like when i first heard pen expers at a proper volume and noticed the chords.

^same, a lot of my moments back when i was getting into autechre was hearing all the layers of detail there that i wasn't hearing before

yeah, also the first time i really listened to all 14 minutes of garbage. shit was off the hizzy

while we're reminiscing about that era.. the first time i cranked second peng on my (then new) car stereo and the beat kicked in :D

this isn't really a "perfect moment,"

but i like how in the beginning of gantz graf (0:00 - 0:03), if you turn it up, you can hear its madness really quietly and then XIZJXCIUXZCHZXICZXCIZIXCZXCZ

  On 4/26/2010 at 12:33 AM, bacteriatastic said:

this isn't really a "perfect moment,"

but i like how in the beginning of gantz graf (0:00 - 0:03), if you turn it up, you can hear its madness really quietly and then XIZJXCIUXZCHZXICZXCIZIXCZXCZ

Wow, you're right! How on Earth did you discover that? I mean, it's got to be scarily loud to hear it.

Incidentally, my current favourite moment of 'Gantz Graf' is the slight bit at 3:16, where in the video (at 3:14) the object falls and bounces up while the sound disintegrates. Wonderful contrast of sound and visuals, while being perfectly fitting. If only more marriages of art-forms were like this.

6:01 on AcroyearII, brilliant

my first time with:

quaristice

st epreo

known1

see on see

the bit once or twice in "Rotar" when the portamento synth sliiides up a whole step. weeerrrrrrrrerr

the live recording from 1996 flex vienna when eutow kicks in..... lush

6:13 - 6:18 of Second Peng

I finally tracked down the actual time

no one mentioned halfway through cipater yet? um, halfway through cipater.

towards the end in doctrine where all the beats squash together and then break all over the place

when the synth drops in flutter

when the chords change after repeating loads in leterel

<- most technical descriptions i can manage

and that bit in V-proc as mentioned already

Every moment of the Hemsby set is perfectly delicious. It's liked they took their own Glasgow set.. and "Autechred" it. So many payoffs and anticipatory moemnts in that set for me.

3:21 in see on see. When the original melody comes back in after all of the beautiful tangental sidetracking...as if to bring it back home I suppose.

There are *many* more of course, this is just one example of pure bliss..

  On 4/29/2010 at 11:26 AM, phudoshin said:

Every moment of the Hemsby set is perfectly delicious. It's liked they took their own Glasgow set.. and "Autechred" it. So many payoffs and anticipatory moemnts in that set for me.

wish i could get the hemsby set in 256, but i think glasgow is better overall anyways

  On 4/29/2010 at 5:33 PM, theSun said:

  On 4/29/2010 at 11:26 AM, phudoshin said:

Every moment of the Hemsby set is perfectly delicious. It's liked they took their own Glasgow set.. and "Autechred" it. So many payoffs and anticipatory moemnts in that set for me.

 

wish i could get the hemsby set in 256, but i think glasgow is better overall anyways

agreed!

  On 4/29/2010 at 12:15 PM, serendipity said:

3:21 in see on see. When the original melody comes back in after all of the beautiful tangental sidetracking...as if to bring it back home I suppose.

 

There are *many* more of course, this is just one example of pure bliss..

Yeah, it comes back unannounced - no waffling rallentando or obvious sign of what's happening - it just comes back. Beautiful. I wonder if it would be worth trying to arrange 'see on see' for a live instrument, possibly guitar.

I love all the stretches in IO.

  On 5/2/2010 at 5:12 AM, Xyrofen said:

I love all the stretches in IO.

Oh god yes, i prefer (mons) just because it is longer and more elaborate in this way. Stretching and granular stuff is my favorite electronic sound in general(if done right, think of mangle 11 for examples of perfect execution).

EDIT: or the loud grinding breaks on cymru beats

EDIT2: gantz graf

  On 5/3/2010 at 12:50 AM, Bubba69 said:

  On 5/2/2010 at 5:12 AM, Xyrofen said:

I love all the stretches in IO.

 

Oh god yes, i prefer (mons) just because it is longer and more elaborate in this way. Stretching and granular stuff is my favorite electronic sound in general(if done right, think of mangle 11 for examples of perfect execution).

 

EDIT: or the loud grinding breaks on cymru beats

 

 

EDIT2: gantz graf

Yeah, I like Mons just because its's longer and IO is one of my favorite tracks.

Blllrreeee eeeerrrrgh aaaaaaa. iztz cromagnee goner-ated fatuarrrrrrrr